Anatoly Bely is a popular Russian actor. He successfully acts in films and appears in theatrical productions. Now he is at the peak of his popularity, so the actor’s personal life is filled with a lot of rumors and gossip. After his marriage to Marina Golub, Anatoly Bely was accused of self-interest. When divorcing her - in non-traditional sexual orientation.
Today the actor is happy with his second wife, Inessa Moskvicheva. Together they are raising three children.
His wife Inna Belaya is a designer and owner of an architectural bureau. The couple met in 2005 on the set of the film “Yarik”. Anatoly played the main role there. The girl is episodic.
Soon after they met, Inessa and Anatoly began to live together and officially registered their relationship 7 years later.
By the way, the episode in the film “Yarik” is the girl’s only role. Originally from Volgograd, a designer by profession, Inessa got into cinema quite by accident. And she immediately started an affair with Anatoly. At that time, he was still Golub’s legal husband.
Inessa is 7 years younger than Anatoly. The wedding took place 8 months after the tragic death of his first wife in a car accident (2012). They registered their relationship already as parents of three children: daughter Inna from her first marriage Katya, son Maxim and daughter Victoria.
Actor Anatoly Bely speaks very fondly of his wife. She believes that thanks to her persistent character and worldly wisdom, their marriage survived many adversities and difficulties. Bely is grateful to his second wife for everything she did for him.
I have always dreamed of a full-fledged family and children. Marina couldn’t give me this, and she didn’t want to. Inessa is my support. We are both creative personalities and understand each other well.
For Anatoly and Inessa, their marriage is the second. It was important that the man had a good relationship with Inna’s daughter Katya. Fortunately, they immediately found a common language. Now the girl calls him dad, and Anatoly considers her his child.
Height, weight, age. How old is Anatoly Bely
Many fans and especially female fans are concerned about the height, weight, and age of the famous actor. How old Anatoly Bely is can be understood quite easily by knowing the year and date of his birth.
Anatoly was born in 1972, so he recently turned forty-four years old. According to the zodiac sign, White is a creative, bright and ambitious Leo who has incredible business acumen.
The Eastern horoscope gave Anatoly character traits inherent in the sign of the Rat. He is aggressive and persistent in achieving goals, open, charming and unpredictable.
Anatoly Bely's height is one meter and eighty-five centimeters, which allows him to play the role of heroes. The weight of the famous actor reaches ninety-eight kilograms; it is unstable and fluctuates depending on the requirements of the role.
Biography of Anatoly Bely
The biography of Anatoly Bely began from the moment when little Tolik Vaisman was born in 1972. It so happened that the family lived in Russia, but my mother decided to go to visit her Ukrainian relatives. In the Ukrainian city of Bratslav, which is located in the modern Vinnitsa region, little Tolya was born prematurely.
The boy lived in the city of Togliatti for a long time, he was restless, so his energy was channeled into a peaceful direction through sports. He did acrobatics, fencing, and also did well in high school.
After graduating from school, Anatoly chose what he should connect his life with: sports or economics. As a result, the guy entered the Samara Aviation Institute, where he learned the profession of a software engineer.
When he studied until the third year, he realized that the world of numbers and technology was not created for him. Anatoly liked much more to play the guitar and perform as part of the Samara KVN team.
He went to the capital and entered the famous Shchepka. Since 1995, he wandered around in search of a place of work, since a young graduate was not accepted into the theater troupe. After working at the Theater of the Soviet Army for about two years, Bely again lost his job and took up trading.
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Anatoly's theatrical career is closely connected with the Stanislavsky Theater, Chekhov Art Theater, Partnership 814, Moscow Art Theater.
Theater
In 1995, Anatoly completed his studies at the Shchepkin School and encountered serious difficulties. The country, as a result of the reforms carried out by Yeltsin, Gaidar and Chubais, was in a severe crisis, and young actors were not in demand.
The theaters did not want to hire graduates of the Shchepkinsky School, arguing that this educational institution uses too conservative and outdated practices.
Bely managed to get a job at the Theater of the Soviet Army. After two years of work, Anatoly was fired from this theater. To earn money, Bely was forced to engage in trade, while still trying to return to the stage.
One day, the artist learned that Oleg Menshikov was preparing to launch a new project - an enterprise studio called “Partnership 814”.
Anatoly came to participate in the casting and successfully passed the selection. It is worth noting that the artist Pavel Kaplevich, who collaborated with Oleg Menshikov, played a significant role in this success. It was Kaplevich who noticed a young Jew parodying an advertisement in the House of Actors and told Anatoly Menshikov about his talents.
Oleg Menshikov entrusted Bely with roles in two plays at once - “Woe from Wit” and “Kitchen”, which he personally directed.
Anatoly also received a small role in the play “Demon” by the controversial director, Kirill Serebrennikov, who is accused in high-profile criminal cases.
Soon after this, Anatoly Bely was enrolled in the staff of the Moscow Academic Musical Theater named after K.S. Stanislavsky and V.I. Nemirovich-Danchenko, where he received roles in the productions of “Twelfth Night” and “The Taming of the Shrew.”
By the beginning of the 2000s, Anatoly Bely became a famous theater artist, actively collaborating with the Moscow Academic Art Theater and the Center for Drama and Directing.
In 2003, the artist went to work at the Moscow Art Theater named after A.P. Chekhov, where he works to this day.
In 2011, Bely received one of the main roles in the play “The Master and Margarita,” staged by the Hungarian director Janos Szasz. On stage, the actor was able to brilliantly create the image of the Master.
Anatoly Bely became a laureate of the Chaika Prize three times, and in 2006 received the title Honored Artist of the Russian Federation.
Filmography: films starring Anatoly Bely
The filmography of Anatoly Bely currently includes more than eighty works, however, there was a time when the guy starred only in episodes or extras. Once he had to try himself as a stuntman. Now we know Bely as a sought-after actor from films and TV series “Multiplying Sorrow”, “The Seventh Day”, “Paragraph 78”, “Orlova and Alexander”, “Pandora”, “Vangelia”, “And the Dawns Here Are Quiet”, “Snow” and ashes", "Steel Butterfly", "Moth".
It is noteworthy that the actor starred in several projects per year in parallel. So in 2021, Anatoly will appear on screens in such works as “Blast Wave”, “Garden Ring”, “Entangled”, “House of Porcelain”.
He is very successfully engaged in voice acting and dubbing of foreign film projects. Brad Pitt and Luke Evans, Keanu Reeves and Prince Chaming from all parts of the cartoon “Shrek” speak in the voice of White.
Movies
At the initial stages of his career, Anatoly was practically not in demand in cinema. Even episodic roles were given to the actor infrequently.
Once the artist even had to take part in the film as a stuntman. Having starred in the film for the first time in 1996, Belov waited for seven years for directors to appreciate it at its true worth.
Alexey played his first fairly noticeable role in the TV series “Brigada”. After this, Bely was invited to play the main role in the mystical drama “The Eyes of Olga Korzh”.
In 2004, the actor took part in the creation of the series “Multiplying Sorrows.” This picture is a drama that talks about friendship, loyalty and betrayal, as well as the role money plays in relationships between loved ones.
The series was released in 2005. The work of the director of this series and the performance of Anatoly Bely received many positive reviews from both professional critics and ordinary viewers.
After playing the leading role in the film “The Seventh Day,” a joint Russian-Georgian production, the artist’s popularity increased.
In this film, Bely was able to fully reveal his dramatic talent, and also starred with Vladimir Vdovichenkov for the first time. It was this film that became the starting point for the acting tandem.
After a slight decline, the artist’s film career began to rise again when the action-packed film “Paragraph 78” was released.
In this film, Vladimir Vdovichenkov and Gosha Kutsenko became Anatoly’s partners. The film became a hit in 2007.
After this, Anatoly Bely annually appears in various projects, from disaster films to biographical films. Among the actor’s most notable works are supporting roles played in such projects as: “The Brothers Karamazov”, “The Crimson Color of Snowfall”, “Valley of Roses”, “Pandora”.
In addition, the artist played leading roles in many projects, including such as: “Furtseva”, “City Spies”, “1812: Uhlan Ballad”.
At the beginning of March 2015, the premiere of the series “Orlova and Alexandrov” took place on Channel One. In this project, Anatoly played the main male role.
The artist embodied the image of the famous Soviet director Grigory Alexandrov on the screen. Bely’s partner in this project was Olesya Sudzilovskaya, who created the image of Lyubov Orlova, the famous actress and wife of Grigory Alexandrov.
The actors and creators of the film sought not only to tell the love story of two great people, but also to convey the atmosphere of the era in which the events of the series unfold.
Anatoly Bely worked a lot on dubbing foreign films and animated films. The artist’s voice can be heard in such films as “Troy”, “Shrek 2”, “Ocean’s Twelve”.
In 2021, the artist began working on his own project “Cinepoetry”. As part of this project, short films are created based on various poetic works.
In addition to Anatoly himself, such Russian cinema stars as Sergei Bezrukov, Maria Mironova, Alexey Kortnev, Maxim Vitorgan take an active part in “Cinepoetry”.
To highlight this project, Bely created a special page on Instagram. This page contains photo and video materials demonstrating the work done.
It is worth noting that within the framework of “Cinema Poetry”, artists recite poetry not only on camera, but also stage performances at various venues in the capital. According to Anatoly, the target audience of this project is the younger generation.
Personal life of Anatoly Bely
The personal life of Anatoly Bely gives rise to a lot of unpleasant rumors, although the actor does not hide his partners. For a long time it was said that the young and unknown actor had an affair with Marina Golub in order to break into the world of cinema and get better roles.
With the tragic death of the famous actress, gossip faded away, giving way to new rumors. All the tabloid magazines were full of headlines that Anatoly Bely was gay. The man only laughed when he was suspected of being unconventional.
The famous actor’s sexuality is absolutely standard; he is happily married to the woman he loves and is raising children.
So fans can calm down, since Anatoly Bely clarified that he is one hundred percent not gay, although he played such a role in the production of “Polaroid Pictures.”
Anatoly Bely: “Family life is a compromise that is built on love”
Anatoly Bely today is one of the most recognized and sought-after actors of his generation. Over the past theater season alone, several of the best roles from the classical repertoire have been played. And the TV series “Optimists-2” is coming out on television - about diplomats of the sixties. Anatoly is a person with an active civic position, which prompted thoughts to talk about freedom in life and creativity, raising children in troubled times and family relationships. Details are in the interview with Atmosfera magazine.
- Tolya, today we live in troubling times. How do you feel, since you act in films, act in the theater, and even sometimes go to public places?
“Of course, at the beginning of this whole pandemic story, it was really scary because no one understood anything, and there was a lot of frightening information. I took everything very seriously, we didn’t let the children leave the house, and my wife Inessa didn’t go anywhere, we only walked around the neighborhood in the evening. Food delivery was carried out only through the door, at a distance, wearing masks and gloves. We kept our distance. And after coming from the street, they immediately thoroughly washed their hands, nose and processed food. There was a sanitizer at the entrance to our house. Now I follow the rules the same way. Filming is going on, I’m performing plays, nothing can be done about it, but there is some confidence that people already know better how to be treated.
— Many of your colleagues and directors, even avid workaholics, admitted that they were glad to have the opportunity to spend so much time with their family.
- Yes, I slept off, we spent a lot of time together, watched a bunch of films, but for me it was all great for three weeks, and then anxiety appeared: “What’s next? How to work? Although I was active, read fairy tales online, and there was even some filming during quarantine. But it’s also difficult for children in distance learning; it’s difficult to keep their attention while sitting at home. Sometimes I would walk into a room and see a child lying on the sofa. And he couldn’t reconcile in his mind that he was in class. (Laughs.)
— You and Inessa didn’t have any friction from constantly being together, you’re not used to it, are you?
- No, on the contrary. We missed each other so much that we were just happy. Ina is a very calm person. And we have the opportunity to go to our rooms for a while. In addition, Katya, our eldest daughter, went to visit her grandparents in Volgograd at this time, so there were four of us, and there was enough space for everyone.
“I’ve always had a fear of heights, and it hasn’t gone away. If I go out onto a balcony on a high floor or look down from a window, a tremor begins.”
Photo: Vladimir Myshkin
— Do you have or have you had any fears or phobias?
“I’ve always had a fear of heights, and it hasn’t gone away. If I go out onto a balcony on a high floor or even look out of a window, I get a tremor that I can’t control. Perhaps there are no more outright phobias.
— And perhaps there were moral ones in childhood and adolescence, for example, fear of the team, fear of answering at the blackboard at school?
- No, no, none of that happened. I feel uncomfortable in large crowds. It's not that I'm afraid, but I don't like a huge number of people.
- How?! I often see you at various street events and promotions. Are you overcoming yourself?
- In a sense, yes. But I don't get into the thick of it. I always stand on the edge, it’s psychologically easier for me.
— How do you feel filming with a huge crowd?
— There is a creative atmosphere there. At any other public event there is something to be afraid of, but here, even if there are five hundred extras, I have nothing to fear.
“I know that you used to be very worried when there were pauses in the cinema or theater or when you were offered something that wasn’t what you wanted. How now, have you gained confidence in the future?
— Due to the nature of my work and thanks to my character, there is always anxiety about tomorrow. And about what is happening in the country, and with your destiny, including creative, and with your family. And now this excitement has intensified many times over. Although it’s a sin to complain, there is work in both theater and cinema, but it’s still unclear what will happen next. We have entered some kind of different life, when it is scary to visit public places, cinemas, theaters. I deliberately limit myself. I recently attended a premiere at the theater and wore a mask. Of course it's scary, but I try not to panic.
“Family life is a compromise that is built on love. But on some very fundamental things I stand my ground.”
Photo: Vladimir Myshkin
— Yes, we live in a period of necessary lack of freedom. What does the word “freedom” mean to you? Has this concept changed with age, growing up, over time? Did you feel that someone infringed on your freedom in childhood and youth?
“As a child, of course, you don’t realize what it is and don’t think about it. The first thoughts appear when you begin to form as a person. It seemed to me, probably like all teenagers, that yes, my freedom was being infringed upon. (Laughs.) For example, they don’t allow me to return home late or force me to clean my room, go to bed on time, wash the dishes after myself... Sometimes I did this willingly, because I understood: I needed to help my parents. But later, when I wanted to devote more time to myself (despite the fact that I didn’t have much of it: either school or sports) and suddenly the opportunity arose to go to a disco, dance, have a blast, and my mother said that you should be home at ten (laughs) ), of course, this caused protest.
— Did you like everything in this sense at school? There were many mandatory things: hairstyles, joining the pioneers, Komsomol, political information...
- No, all this didn’t particularly bother me. We didn't have such tyrannical teachers who crossed the line. Someone, of course, couldn’t stand it and shouted, but I didn’t feel much pressure on myself.
— Are your school and your children’s school very different? And do you take into account your experience in relationships with children?
- Now everything is completely different. How they communicated with us and with them are completely different stories, because now children have the right to express their opinion. Maxim argues with teachers in class. Sometimes he clearly overdoes it (laughs), they tell us: “Everything is great, but you tell Maxim to limit himself a little during the lesson, there is no time for such arguments. Talk to him and, if it’s important to him, discuss this topic.”
- Who do you feel better with, your daughter or your son?
“I’m interested in both of them.” They are growing up, Maxim is thirteen years old, Vika is ten, they have different characters. I understand that behind some of Max’s nervousness there is his absolute openness, and Vikusya is different, where she needs to cheat, where she needs to dissolve her feminine charms. Our conflicts now mainly arise due to gadgets. They can’t control themselves in any way over time, and I have to take it away from them, they get angry. Therefore, we give out phones for an hour after they have completed all their homework. But sometimes you don’t have time to follow up, because of this they do their homework late and don’t go to bed on time. I try to convey to them that they are harming themselves.
“I never thought about Katya: mine is not my daughter. She accepted me immediately. And I communicate with her in the same way as with other children."
Photo: Vladimir Myshkin
- This is their freedom...
- You're absolutely right. And if earlier I was very worried about them and therefore cursed, now I’m trying to have a heart-to-heart talk: “Guys, you’re harming yourselves, do you understand that?” I began to understand more that they need this freedom, that they must learn their lessons. Katya did not do what we wanted for a very long time. But now she already has an independent life, she rents an apartment with her friends. And using the example of his own experience of coexistence with other people, he says: “How I understand you now when you talked about sloppiness! I don’t like it so much that my girlfriends don’t clean up after themselves and our apartment is a mess.”
- Katya grew up with you from the age of eight. Did you think that you had no right to be tough?
“I never thought that mine is not my daughter.” Katya immediately accepted me, and I never heard her say that I had no right to something. And I communicate with her the same way as with others.
— Do Maxim, and maybe Vika, already have some responsibilities at home? And what do you do when they don't want to do something?
- Of course, now Maxim is to a greater extent, although already Vika, and at one time Katya are testing their boundaries on us. Sometimes conflicts arise on this basis. Sometimes you don't have enough patience. Nevertheless, I understand perfectly well that they are doing the same thing that I did as a child, just on a slightly different level, and without such self-affirmation, it is probably impossible. But they have more individualism, self-determination and less empathy and a sense of responsibility. If earlier I was worried that I would fail the class, if, for example, I turned in less than five kilograms of waste paper, and this tormented me, then they have nothing of the kind. That is, they do not have much of a collective consciousness; they are more focused on themselves.
— That’s right, with all the charitable foundations and marathons, people have become much more indifferent. Of course, personality is very important, but you need to be able to empathize with others...
- Yes, sure. People are becoming more and more isolated, many are already comfortable without live communication. It’s enough to sit with friends for half an hour in a game or video call. My children are like that. This, of course, scares me. But I also see good sides in this individualism; each person develops self-awareness quite early, and the collective consciousness that was drummed into us all the time, they, thank God, do not have on such a scale. But this isolation really takes away the ability to empathize. They also have a different, easier attitude towards death, because of these computer games, shooters, where someone is always being killed. Once we were driving in a car, and they suddenly said so easily: “But now we can speed up and get into an accident.” I say: “Imagine that your parents died? Are you left without us? This is fine?" They, of course, said no. These are the kinds of things that scare me very much among modern children.
“Dad’s relatives left for America in the seventies, but I had absolutely no such urge. I didn’t think I was being squeezed here.”
Photo: Vladimir Myshkin
- Do you think that they learned this from games, and not from what they see and hear around them? Previously, there was inattention to the individual, but there was also more sincerity, but now everyone’s personal space comes first...
- Maybe that too. But it seems to me that fundamental human manifestations, such as helping loved ones and friends, have not disappeared from normal people. At least in our family this is the case. Now, as an adult, for me freedom is only responsibility. For example, in our country freedom was given in the nineties, and many different mistakes were made. In my opinion, we failed to manage it correctly. For me, freedom is that every step you take must be filled with responsibility to yourself, otherwise it can lead to the destruction of your personality. We should talk to each other, solve problems peacefully and diplomatically, but, unfortunately, every time I come across the idea that man has not come up with anything better to resolve his disputes than war. It's horrible. The institution of diplomacy is now absent, all this has faded into the background, we are returning to the Middle Ages, an absolutely bestial principle operates - by the right of the strong. I was recently prompted to this idea by Sasha Molochnikov’s play “Bulba. Feast". And sometimes I have the feeling that even what has been accumulated in art is flying into the abyss.
—Does the same democracy work in your home too?
— Family life is a compromise that is built on love, when you say: “Yes, here I will make concessions, here I will do what my loved one wants.” Of course, on some very fundamental issues I stand my ground. Ina understands this.
— Your youth occurred in the late eighties and early nineties. Did you have the feeling that you personally were missing something, some freedoms, or did you realize this later, remembering those years?
— The Soviet period coincided with my school and part of the aviation institute in Samara. As a child, I had no political consciousness, and I did not think about the fact that there was a foreign country, that people lived well there. My father’s relatives left for America in the seventies, but I had absolutely no such desire. I didn’t think then that I was being squeezed here. And there was nothing to clamp. But when I was fifteen or sixteen years old, I saw that we lived very poorly, and I understood that a person feels humiliated when he cannot eat, dress properly and has to stand in huge lines when something was thrown away in a store, for example, sneakers or boots .
— But when you moved to Samara, and then to Moscow, did you feel the breath, and then the wind of freedom?
“I left home at sixteen, and, of course, it was my first big breath of freedom. And when I ended up in Moscow, I received even more of it, but rather it was freedom of self-determination. I entered Shchepka in 1991, when tanks had just rolled through the streets of Moscow. Then I still did not understand what had happened, but I felt that it would certainly be better, because the last years at the aviation institute fell on a hellishly hungry time with empty shelves in stores. Yes, freedom of speech appeared, communist ideology collapsed, but at the same time some kind of unbridled vulgarity was shown on TV, “Tender May” was played from tape recorders, cooperative cinema flourished, in general, impossible baseness suddenly spilled out. And you knew that there was banditry all around, murders were taking place in broad daylight in the city centers. Probably the most rosy years that inspired hope were the 2000s. Cultural events of a different level began to appear in the country, both in cinema and theater. People began to travel abroad, young people began to study, but they returned and started working here. I became friends with Klim Shipenko, who came from America. This coincided with the fact that I also had important changes in my profession, for example, in 2001 the play “Oblomoff” by Mikhail Ugarov was released, then “Candid Polaroids” by Kirill Serebrennikov, and in 2003 I ended up at the Art Theater.
“Lately I feel that I have become bitter and harsh. But in relation to friends and relatives, I try not to allow this, not to break down.”
Photo: Vladimir Myshkin
— Repertory theater is also a restriction of freedom, because there is a distribution of roles, a playbill, and the actors understand that the theater always comes first, and all other work is based on this busyness...
- Well, you know, everyone chooses for themselves. It was fortunate for me that when filming began, the Moscow Art Theater met me halfway. But I myself understood that theater should come first. You accept these conditions, and there cannot be absolute freedom. This is death or complete loneliness.
— You have played in a huge number of ultra-modern productions, even avant-garde and provocative ones. Where, in your opinion, is the dividing line between freedom and disrespect for the author? After all, the same “Uncle Vanya” of the Theater of Nations is a very relevant and very lively performance, but Stefan Braunschweig did not allow a single word to be changed in Chekhov’s text...
— In creativity, freedom should be absolute, without censorship. And then you like it or don’t like it. Creativity implies provocation, experiment, and search; this is the engine in art. At the same time, each artist is responsible to the viewer. And Stefan Braunschweig has a very respectful attitude towards Chekhov. But if we all staged everything as written, then there would be eighty Maly theaters in Moscow. Do we need it? No. Therefore, every director builds his own world over the text, and this is wonderful, then a creative kaleidoscope arises.
— For you today, cinema is complete freedom of choice, or are you still bound by obligations and responsibility to yourself and your family?
“Now there really is an opportunity to choose.” I'm acting in a movie that's interesting to me. But I still expect more. I would like serious projects, directors, roles to come.
— I read that you refuse the roles of people from the authorities. But, for example, your hero in “The Optimists,” the second season of which is about to be released on the Rossiya TV channel, is a very interesting character.
— Although my hero is from the cohort of those whom I’m really no longer interested in playing, I went there because it was Valery Todorovsky’s company and director Alexey Popogrebsky. He managed to convince me that we would make a three-dimensional character who would have a personal, family drama. And in the second season he is already a different person, but we won’t reveal our cards just yet.
— Reading your posts, I notice that they are often very sharp and tough, which, it seemed to me, was not typical of you until recently. Don’t you yourself notice that you have begun to change, fighting for truth and freedom?
- Well, I’m not such a militant fighter for truth and freedom. And I have never been a soft toy, and a certain degree of bitterness, it seems to me, manifests itself only in action, in relation to certain events and people who exist beyond the boundaries of good and evil.
- Can you tell your friends everything, you may not see eye to eye?
- Of course, not all. To be honest, I don’t really like people who slap the truth in the face. I take care of my friends, especially since they are all very vulnerable people. And in general, I am essentially a diplomat. (Laughs.) Although lately I feel that I have become bitter, have become harsh, but in relation to friends, loved ones, relatives, I try not to allow myself to do this, not to break down. I settle things with soft wording; if I want to say something unpleasant, I put it in words that won’t offend.
— Do you feel comfortable when you gather in large groups at your home or visiting friends?
— We sometimes visit Alexey Kortnev and Amina Zaripova outside the city. They always have an amazingly warm creative atmosphere. And a couple of times we held trial apartments at our house and gathered friends. Having your own people around is great, but often I wouldn’t spend my time like that. Even to communicate with friends you need to accumulate material. (Smiles.)
Family of Anatoly Bely
The family of Anatoly Bely was absolutely ordinary, Soviet and intelligent. The boy was taught to respect other people's work, sports and the fact that he should be useful to society.
Father - Alexander Vaisman worked in the construction industry, he built the Volzhsky bus plant. It was dad who instilled in the boy a love of sports, taught him to love loved ones, support friends and fight laziness in all its forms. Thanks to him, Bely learned to play chess masterfully.
The mother of the future theater and film actor, Margarita Weissman, taught German at a regular high school. She instilled in her son respect for elders, a love of poetry and cinema.
Anatoly has a sister, Zhanna, who was three years older. The girl graduated from the Samara Medical Institute and became a pediatrician. She lives in Israel, got married and gave birth to two children.
Childhood
It is known that the life of Anatoly Bely began in the Ukrainian city of Bratslav, which is located in the Vinnitsa region. His parents came to this city from Togliatti on vacation to visit their grandmother. The future famous actor was born into a Jewish family. My father worked as an engineer, and my mother taught German.
He was born on August 1, 1972. His real last name is Vaisman, and Bely is a pseudonym, which is a translation of the actor’s real last name from Yiddish into Russian. Anatoly spent his childhood in Tolyatti, but it was always quite difficult for him to get along with people. Many classmates considered him proud and arrogant, but he simply did not want to listen to barbs about his nationality.
Therefore, Anatoly was sociable only among his close people. He was always cheerful and funny with his parents and grandparents.
Children of Anatoly Bely
The children of Anatoly Bely were born at different times, but in one happy family. Anatoly and his second wife consider their children desirable and long-awaited. They receive the most attention; Anatoly often sacrifices his free time to do homework with them or play in the fresh air.
He loves to play with babies, and Anatoly enjoys bathing a child, telling him a bedtime story, or putting him to bed.
By the way, Anatoly Bely had no children in his marriage to Marina Golub, which greatly depressed the actor and caused quarrels.
Family of two actors
Before meeting Marina, Anatoly could not boast of numerous love victories. One might say that he simply had no luck with girls. In Marina, he found everything he was looking for in his future wife. It was also female wisdom, brilliant mind and patience.
Having met such a woman, Anatoly decided not to let her go. The couple got married and began to live together. Their family consisted of three people: Anatoly, Marina and Marina’s daughter from her first marriage.
The couple was considered ideal among close friends and acquaintances. The spouses supported and understood each other. And Anatoly himself called Marina an ideal wife. He has said more than once that in addition to his acting career, they have many common interests. The spouses had similar views on life and goals. And this brought them closer.
Marina took an active part in the development of her husband’s acting career. She did everything possible so that he would no longer be perceived as “Marina Golub’s husband”, but would start talking about him as an independent and talented actor.
Marina in all interviews spoke of Anatoly as the best man she had met in her life. He understood all the intricacies of the acting profession. He didn’t have to make excuses for scenes with kisses on camera. It was also a great motivation to take more care of your appearance.
Son of Anatoly Bely - Maxim Bely
The son of Anatoly Bely, Maxim Bely, was born in his second marriage in 2007.
Maksim was raised by a nanny, and then he went to a regular high school. The child was never pampered and was taught to do everything independently and well. The boy is very sensitive and kind, he simply adores animals. Maxim has an absolute ear for music. The guy sings and dances beautifully, he is very rhythmic.
Maxim Bely goes in for sports and grows up to be a real book lover, thanks to the proper upbringing on his part of his famous father.
Daughter of Anatoly Bely - Victoria Belaya
The daughter of Anatoly Bely, Victoria Belaya, was born in June 2010, her mother was the actor’s second wife. The couple had long dreamed of the birth of a little girl and were incredibly glad that it finally happened.
Victoria is a very active and musical girl, restless and slightly capricious. She feels the rhythm perfectly and is already starting to sing. The baby tries to dance and does it quite well.
Vika already knows numbers and letters and is going to go to first grade this year. She adores her older brother and sister.
Theater career
Graduation from the university occurred in 1995. Due to the crisis in the country, it was difficult to find a job in my specialty. The aspiring actor devoted two years to the service of the Soviet Army Theater, then again lack of demand and lack of money. Anatoly Bely went to castings and one day he got an audition for Oleg Menshikov’s new project.
White on the theater stage
He approved the artist’s candidacy, giving him roles in productions:
- "Woe from Wit";
- "Kitchen";
- "Daemon".
Anatoly Bely in the theatrical production "Duel"
On his stage, the actor had the opportunity to play in such performances as:
- "Twelfth Night";
- "The Taming of the Shrew";
- "Master and Margarita";
- "Duel";
- "King Lear" and many others.
Anatoly Bely: photo
Soon Anatoly Bely became a sought-after actor, whose performances were visited by true connoisseurs of theatrical art.
It took a long time before the directors noticed Anatoly Bely. For quite a long time he had to be content with small episodes and filming in crowd scenes. Which has more than once led to depression. In 2000, a turning point occurred.
Still from the film "Brigade"
Bely was offered a small role in the continuation of the cult TV series “Brigade”. Without hesitation, he agreed and was right, because after two years his film career took off. It all started with the main role in the crime genre film “The Eyes of Olga Korzh”.
In addition, he starred in such films as:
- “Kings of Russian Investigation” - 1996;
- “Master of the Empire” - 2001;
- “Multiplying Sorrow” – 2005;
- “On the way to the heart; – 2007;
- “Paragraph 78” – 2007;
- “One Family” - 2009;
- “On the Trail of the Phoenix” - 2009;
- "Furtseva" - 2011;
- “Marriage by Will 3. Dancing on the Coals” - 2013;
- “I will love you, is it possible?” – 2016;
- "Crow" - 2021.
Anatoly Bely in the film "Steel Butterfly"
The complete filmography of Anatoly Bely includes about 85 films. The artist's repertoire is regularly updated with new roles. In addition, he is actively working on scoring foreign films.
Anatoly Bely in the film “Paragraph 78”
In addition to Anatoly Bely himself, such famous personalities as Sergei Bezrukov, Elizaveta Boyarskaya, Maxim Vitorgan, Alexey Kortnev, Maria Mironova and others take part in the filming of mini-films, created by professional directors.
Actor on the set of The Brothers Karamazov
At the beginning of his career, the famous actor Bely participated in the crowd scenes of a play at the famous Taganka Theater for several years. By the way, Anatoly Bely’s military service took place at the Army Theater.
Since 1998, Anatoly Alexandrovich has become an actor at the Stanislavsky Theater. The actor Bely most often performs on stage at this time in performances staged by theater director Mirzoev. And after six years he joined the troupe of the Art Theater. The talented actor Bely's theater collection already includes more than twenty performances.
Actor Bely played his debut role in 1996. The television series “Kings of Russian Investigation,” directed by Vladimir Alenikov, tells how the death of Lieutenant Buturlin is investigated. In this film, Anatoly Alexandrovich played a small cameo role. After this project there was a long break in cinema, since the actor Bely could not get into any film project.
And only in the 2000s did Anatoly Alexandrovich begin to receive job offers. In 2002, in the film “The Eyes of Olga Korzh” directed by Olga Dobrova-Kulikova, he played his first leading role. The film tells how a television crime news anchor has a unique gift and sees terrible crimes. By the way, in the credits for this film it is not the pseudonym that is indicated, but the real name of the actor.
In 2004, the talented actor Bely also starred in the film “Obsession” directed by Anna Legchilova. He played the leading role. Investigator Sobol, played by Anatoly Alexandrovich, is trying to destroy everything around Vera, who witnessed a murder at her school graduation. He forces her to leave the city. But Vera still returns, and as a completely different person.
Actor Bely gained widespread popularity and fame in 2005. It was this year that he successfully played leading roles in such television series as “Multiplying Sorrow” and “Talisman of Love”. In the film “Multiplying Sorrow” directed by Oleg Fisenko and Vladimir Sverb, actor Bely plays the role of Alexander Serebrovsky.
After this, Anatoly Alexandrovich regularly began to receive filming offers. Moreover, he was offered only leading roles. The most significant works of actor Bely were the following: the role of Ivan Karamazov in the television series “The Brothers Karamazov”, Andrei Golota in the film “Number Forty-Third...” and others. The role of Vlad Konstantinov in the film “Metro”, with whom the main character cheats on her husband, also turned out to be interesting.
In 2015, actor Bely played the role of director Grigory Alexandrov in the serial film “Orlova and Alexandrov” directed by Vitaly Moskalenko. The plot of this film tells how the creative and family union of two gifted and famous people took shape.
In total, the talented actor Bely’s cinematography includes more than 70 films. Anatoly Alexandrovich continues to actively and successfully act in films to this day.
Stepdaughter of Anatoly Bely - Ekaterina Moskvicheva
The stepdaughter of Anatoly Bely, Ekaterina Moskvicheva, is the daughter of his second wife Inessa Moskvicheva from her first marriage. The girl was born in the turbulent year of 1998, she grew up as an obedient and smart girl.
When her mother began to live in a civil marriage with Anatoly Bely, the girl turned eight years old, and she began to call the actor dad. At school, she often repeated that she was the richest because she had two fathers.
Katya is a self-sufficient and slightly self-confident girl; she is sometimes lazy and does not want to read books. However, Katya selflessly fusses with her younger brother and sister, practically replacing their mother.
Ex-wife of Anatoly Bely - Marina Golub
The ex-wife of Anatoly Bely, Marina Golub, appeared in the life of the aspiring and young actor in 1995. She was fifteen years older than her chosen one, so at first there was no talk of an affair.
Marina supported Anatoly for a long time and helped him in every possible way, including squeezing him into auditions for popular TV series. The couple lived in marriage for eleven years and broke up.
The reason for divorce is the absence of children. After the breakup, the couple stopped communicating, and began communicating again a few months before Marina’s tragic death in 2012.
Anatoly Bely's wife - Inessa Moskvicheva
Anatoly Bely’s wife, Inessa Moskvicheva, burst into his life like a fresh wind in 2005. She is seven years younger than Anatoly and works as a designer.
The young people met on the set where Inessa played in the episodes. The filming process was marked by the beginning of a whirlwind romance and a civil marriage that lasted several years.
Anatoly and Inessa got married in 2013 because they wanted their children to grow up in a complete family. The young people legalized their relationship eight months after the death of Marina Golub.
Anatoly Bely with his wife and children: family photos
Bely’s wedding to Moskvicheva took place in 2013. Only relatives were present at the celebration. To decorate the holiday, cinema paraphernalia was used - a cake in the form of a film film, a skylift, a red carpet.
After the marriage, the couple and their guests went to Kinotavr, where Anatoly was a judge. Then we flew to America for our honeymoon.
Bely speaks of his wife like this:
Inessa is calmer than me. She is sanguine and enjoys energy training. She's a master of conversation. If something doesn’t work out, he can talk for a long time and explain calmly and judiciously. But if it explodes, then everyone... hide. I’m quick-tempered, but I quickly move away. I don't get to the point of anger and aggression. But I can shout or shout. Then I calm down.
Living together is hard work. Of course, it is very important to support each other. Innochka is a real support for me. We have a very high degree of frankness. But I still leave a small corner for my own thoughts. And they themselves do not demand complete openness from Inna. We talk a lot. My wife is a creative, intelligent person. It is important to be able to share with each other. You can't last long on feelings alone.
In the family, the function of a strict parent is assigned to me. Not that I want it. It’s just that I, as the head of the family, must be strict. And Inna, like a mother, gives children tenderness. Therefore, when someone makes a mischief, sometimes you have to hit the table with your fist.
Wikipedia Anatoly Bely
Wikipedia for Anatoly Bely exists and this page is official. The fact is that the actor himself is a public person and a famous personality. In this regard, gossip and fictitious stories related to his orientation, personal and family life often appear in the tabloid press.
To dispel all rumors, a system for searching reliable information like Wikipedia was created. Anatoly Bely’s page contains only reliable information about his childhood and youth, education and hobbies, wives and children.
Education
In his childhood, Anatoly Bely was fascinated by sports. He even became a master of sports in acrobatics. This also contributed to the fact that after receiving a certificate of school education, Anatoly entered the Aviation Institute of the city of Samara. But already in his second year he realizes that he does not like this profession and is not at all attracted to it.
Having left for the capital, the future actor enters the Shchepkinsky School. Here Anatoly Alexandrovich studied in the workshop of Novikov and Afonin. And in 1995 he successfully graduated.
