Akimova, Natalya Valentinovna

Wikipedia has articles about other people with the surname Akimova.
Natalia Valentinovna Akimova

(b. October 16, 1957, Tallinn [1]) - Soviet and Russian theater and film actress. Honored Artist of Russia (1994)[2].

Theater works

K:Wikipedia:Articles without sources (type: not specified)

• “Brothers and Sisters” - Lisa
• “Stars in the morning sky” - Maria
• “The Cherry Orchard” by A. P. Chekhov - Varya
• “The Seagull” by A. P. Chekhov - Polina Andreevna
• “Mumu” ​​by I. S. Turgenev - Tanya
  ,
  Ksyushka
• "The Winter's Tale" - Hermione
• “Chevengur” – Woman with child
• “Demons” - Lebyadkina
• "The Loves of Don Perlimplin" - Marcolfa
• “Whim” - Sarytova
• "The House of Bernarda Alba" - Poncia
• “Uncle Vanya” - Voinitskaya Maria Vasilievna
• “The Chocolate Soldier” by B. Shaw - Katerina Petkova
• “Russian and Literature” M. Osipov - Ksenia Nikolaevna

Closed soul panel with the name Natalya Akimova

Personal life, unlike aspects of the profession, is not wide open for all representatives of this art. Many of them, such as Oleg Basilashvili, Alisa Freindlikh, Mikhail Boyarsky, despite their wild fame, are very closed people in this regard. In the same way, the personal life of actress Natalya Akimova is not for public display. She will be happy to talk in an interview about the numerous main or episodic roles in the catalogue, and share her doubts about certain moments in the performances. But journalists will not wait to reveal their souls, dragging into the light of day some “fried, tasty” details of their everyday life, life, relationships with men.

One can guess where the hysterical note of harsh tin came from. To the health of your imagination! But all speculations that are not supported by convincing evidence will remain idle talk and just another fluffy one-day story.

Filmography

1. 1979 - Personal Date (short film)
2. 1980 - Long days, short weeks... - Natasha Shchipikhina
   -
   main role
3. 1980 - And the eternal battle... From the life of Alexander Blok - episode
4. 1982 — Space for maneuver
5. 1982 - Since we've been together - Valya, Nadya's friend
6. 1983 - Two under one umbrella - grandmother
7. 1985 - In the shooting wilderness - Anna Petrovna
8. 1985 - Confrontation - “Zina”, a character in an amateur performance based on Vladimir Vysotsky’s song “Conversation at the TV”
9. 1986 - Breakthrough - daughter of Poluektov, wife of Martynov
10. 1987 - Mirror for the hero - Lida, Sergei’s mother
11. 1994 - Russian Symphony - teacher
12. 1997 - Children of Monday - young worker
13. 1999 - Streets of Broken Lanterns-2 - Tamara Petrovna Vasilyeva, the artist’s widow (series “New Word in Painting”)
14. 2002 - Zhikhar
15. 2003 - Evening Bells - Tamara, Kolyan’s mother
16. 2004 - Dream Factory
17. 2005 - Death of the Empire - Milonova
    , (Thunderstorm, episode 7)
18. 2007 - Cargo 200 - Antonina
19. 2010 - Fifth blood group - Anna Ivanovna Smirnova, Anfisa’s aunt

K:Wikipedia:Articles without sources (type: not specified) [ source not specified 3249 days

]

Natalya Akimova now

The actress continues to serve at the MDT Theater of Europe. The production of “Brothers and Sisters” that once glorified her continues to this day, but now Natalya Akimova plays the role not of a sister, but of the mother of Lisa and Mikhail Pryaslin.

Natalya Akimova in 2018 in the play “The Winter's Tale”

Natalya has 25 roles in the Maly Drama Theater, 12 of them are in the current repertoire. The actress is involved in the plays “The Winter's Tale”, “Three Sisters”, “Uncle Vanya”, “Chevengur”, “Shadow of the Gunner”, “Chocolate Soldier” and others.

According to Wikipedia, the artist lives with her husband Igor Sklyar in Pavlovsk. Natalya is not registered on Instagram or other social networks.

Excerpt characterizing Akimov, Natalya Valentinovna

Rostov thought about it and drove exactly in the direction where he was told that he would be killed. “Now it doesn’t matter: if the sovereign is wounded, should I really take care of myself?” he thought. He entered the area where most of the people fleeing from Pratsen died. The French had not yet occupied this place, and the Russians, those who were alive or wounded, had long abandoned it. On the field, like heaps of good arable land, lay ten people, fifteen killed and wounded on every tithe of space. The wounded crawled down in twos and threes together, and one could hear their unpleasant, sometimes feigned, as it seemed to Rostov, screams and moans. Rostov started to trot his horse so as not to see all these suffering people, and he became scared. He feared not for his life, but for the courage that he needed and which, he knew, would not withstand the sight of these unfortunates. The French, who stopped shooting at this field strewn with the dead and wounded, because there was no one alive on it, saw the adjutant riding along it, aimed a gun at him and threw several cannonballs. The feeling of these whistling, terrible sounds and the surrounding dead people merged for Rostov into one impression of horror and self-pity. He remembered his mother's last letter. “What would she feel,” he thought, “if she saw me now here, on this field and with guns pointed at me.” In the village of Gostieradeke there were, although confused, but in greater order, Russian troops marching away from the battlefield. The French cannonballs could no longer reach here, and the sounds of firing seemed distant. Here everyone already saw clearly and said that the battle was lost. Whoever Rostov turned to, no one could tell him where the sovereign was, or where Kutuzov was. Some said that the rumor about the sovereign’s wound was true, others said that it was not, and explained this false rumor that had spread by the fact that, indeed, the pale and frightened Chief Marshal Count Tolstoy galloped back from the battlefield in the sovereign’s carriage, who rode out with others in the emperor’s retinue on the battlefield. One officer told Rostov that beyond the village, to the left, he saw someone from the higher authorities, and Rostov went there, no longer hoping to find anyone, but only to clear his conscience before himself. Having traveled about three miles and having passed the last Russian troops, near a vegetable garden dug in by a ditch, Rostov saw two horsemen standing opposite the ditch. One, with a white plume on his hat, seemed familiar to Rostov for some reason; another, unfamiliar rider, on a beautiful red horse (this horse seemed familiar to Rostov) rode up to the ditch, pushed the horse with his spurs and, releasing the reins, easily jumped over the ditch in the garden. Only the earth crumbled from the embankment from the horse’s hind hooves. Turning his horse sharply, he again jumped back over the ditch and respectfully addressed the rider with the white plume, apparently inviting him to do the same. The horseman, whose figure seemed familiar to Rostov and for some reason involuntarily attracted his attention, made a negative gesture with his head and hand, and by this gesture Rostov instantly recognized his lamented, adored sovereign. “But it couldn’t be him, alone in the middle of this empty field,” thought Rostov. At this time, Alexander turned his head, and Rostov saw his favorite features so vividly etched in his memory. The Emperor was pale, his cheeks were sunken and his eyes sunken; but there was even more charm and meekness in his features. Rostov was happy, convinced that the rumor about the sovereign’s wound was unfair. He was happy that he saw him. He knew that he could, even had to, directly turn to him and convey what he was ordered to convey from Dolgorukov. But just as a young man in love trembles and faints, not daring to say what he dreams of at night, and looks around in fear, looking for help or the possibility of delay and escape, when the desired moment has come and he stands alone with her, so Rostov now, having achieved that , what he wanted more than anything in the world, did not know how to approach the sovereign, and he was presented with thousands of reasons why it was inconvenient, indecent and impossible. "How! I seem to be glad to take advantage of the fact that he is alone and despondent. An unknown face may seem unpleasant and difficult to him at this moment of sadness; Then what can I tell him now, when just looking at him my heart skips a beat and my mouth goes dry?” Not one of those countless speeches that he, addressing the sovereign, composed in his imagination, came to his mind now. Those speeches were mostly held under completely different conditions, they were spoken for the most part at the moment of victories and triumphs and mainly on his deathbed from his wounds, while the sovereign thanked him for his heroic deeds, and he, dying, expressed his love confirmed in fact my.

Track record and soft Akimov reflection

The Russian female base in Natalia Akimova is strong. No matter what happens, she will endure everything, only that terrible cold reflection of the experience will appear once in the soft, greenish girlish eyes of Akimov.

There is no need to remind once again about his numerous track record. Anyone can do this and get acquainted with it. There is information about theatrical performances in which Natalya Akimova successfully played, whose biography and cinematic portraits are simply amazing.

Personal life of Igor Sklyar. Happiness built on someone else's misfortune

The personal life of Igor Sklyar has always been full of different colors.

Igor Sklyar was a womanizer in his youth

The talented actor was a real womanizer, he had many fans, the fair sex tried to get the attention of the charismatic Sklyar. That is why there was always a lot of gossip and rumors around his love relationships. Some of them were confirmed, and some were forever shrouded in a veil of mystery.

Wedding of Natalia Akimova and Andrey Krasko

Igor Sklyar’s first and only wife, Natalya Akimova, was his classmate. They met while studying at LGITMiK in Leningrad. At that time, Natasha was legally married to Andrei Krasko. All three were good friends and spent a lot of time together. For some time, classmates rented an apartment and lived together.

One day, looking at his friend’s wife, Igor realized that he had irrevocably fallen in love with this girl. In order not to succumb to temptation, Sklyar quickly moved to another apartment. But everything had already been decided, since Natalya’s heart also belonged to her best friend. Unable to cope with her feelings, the girl admitted to Krasko that she was in love with someone else and left her legal husband for a new chosen one.

The abandoned husband was grieving the loss of two close people at once: his beloved woman and his best friend. The actor’s emotional experiences became known only after his sudden death (Andrei Krasno passed away during the filming of the series “Liquidation”).

In the photo: actor Andrei Krasko

After the artist’s death, his personal diaries were published in the press. He poured out his mental anguish on paper in red. He even had a nervous breakdown, due to which the man was given a deferment from the army.

Creativity, success and famous husbands of a talented actress. Natalia Akimova

The once pretty, charming woman who dreamed and soared above the clouds became withdrawn, the captivating reflection in her beautiful green eyes disappeared...
What happened in the life of this wonderful and talented actress?

Natalia Akimova

For the first time, five-year-old Natasha Akimova appeared on the stage of the House of Officers dressed as a bunny, sang songs and read poems. And in the fifth grade, she took first place in a competition, reciting the poem “Grenada.” After the victory, her class teacher Alexandra Ivanovna praised the girl and said: “Well, Natasha, you should be an artist!”

The girl’s words became prophetic. After graduating from school, Natalya decided to leave her native Tallinn and enter the Leningrad State Institute of Theater and Music. This is how the theatrical and cinematic life of actress Natalya Akimova began.

Natalia Akimova

She played her first leading role in the film Long Days, Short Weeks (1980). Her heroine Natalya Shchipikhina wants to help everyone and not just with words. She is a kind, pretty girl who works at a factory as a spool stacker. The famous phrase that was heard in the film probably reflects the whole essence of the plot:

— When will the fashion for kindness, honesty, tolerance, and education begin?

The young actress was noticed and appreciated, Natalya begins to successfully act in films, and is also involved in performances.

Natalia Akimova

The actress’s debut theatrical role took place in the famous play “Brothers and Sisters”, she played the girl Lisa. With this performance the troupe traveled all over the world and everywhere they were greeted with applause and applause. Natasha’s mother was really perplexed:

— Who will watch your heroines in quilted jackets, who needs them?

Akimov was always amused by such statements. What do quilted jackets have to do with it if they talk about difficult life situations, human relationships, that there are vile people in the world, and there are bright ones and, fortunately, there are more of them. The cast has of course changed several times over time. Some actors passed away, others simply left the theater.

Natalya’s life also did not stand still, she had joys and sorrows, meetings and partings, first love.

Natalya Akimova and Andrey Krasko

Akimova has always hidden her personal life from prying eyes and does not like to talk about it. But still, there is little information about the actress.

Her first husband was fellow student Andrei Krasko. The young people fell in love with each other, did not want to wait for graduation and got married. At first everything worked out great, but days passed and Natalya’s passion gradually began to fade. But she needed everything inside to burn and seethe, and if this did not happen, the girl believed that this was not love.

One day, their classmate Igor Sklyar asked Andrey to shelter him for a while; the artist had problems with housing. According to some reports, Natalya and Igor at this time felt a love attraction towards each other. It was impossible to live in such an environment. Akimova told Krasko everything and left the house with Sklyar.

Natalya Akimova and Igor Sklyar

But, as Igor himself says, he did not take his friend’s wife away. At that time, Andrei and Natalya often quarreled. The relationship between Sklyar and Akimova began only some time later, when the couple separated. Krasko was very worried about the separation, he even had a nervous breakdown, he had to go to a psychiatric hospital, where the actor was treated for half a year for these shocks.

The actress herself never gave an interview on this matter; the only certainty is that she and Igor Sklyar soon got married and had a son, Vasily. The couple moved to Pavlovsk (near St. Petersburg) and were happy for several years.

Igor Sklyar and Oksana Stashenko

But in 2000, the press began to attribute Igor to an affair with actress Oksana Stashenko. Both were in Tver, at the Constellation festival, the actors spent a lot of time together. Igor was courting Oksana, and everyone was gossiping that Sklyar was cheating on his wife. The romance was fleeting, the actor returned home and the gossip subsided.

That same year, the artist suffered a heart attack. He never complained in his heart and was pretty scared. Igor stopped drinking, smoking, and began to devote more time to his wife and son.

Vasily Sklyar, Natalya Akimova and Igor Sklyar

Natalya steadfastly endured all life's difficulties, raising her son Vasily, who is now studying philosophy and studying ancient ancient culture.

Yes, not everything was so smooth in Natalya’s life, but we hope that she will laugh loudly again, new interesting roles will appear and life will sparkle with bright colors again.

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