Childhood
Ivan was born in Moscow on February 13, 1769.
Father, Andrei Prokhorovich Krylov, was a poor army officer. When the Pugachev rebellion was pacified in 1772, he served in a dragoon regiment and proved himself a hero, but did not receive any ranks or medals for this. My father did not study much science, but he knew how to write and read. After retiring, he was transferred to the civil service as chairman of the Tver magistrate. Such service did not bring good income, so the family lived very poorly.
The poet’s mother, Maria Alekseevna Krylova, became a widow early. The husband died at the age of 42, the eldest son Ivan was only 9 years old. After the death of the head of the family, the Krylovs’ life became even poorer. Ivan's early childhood years were spent on the road, as the family moved very often due to his father's service.
Krylov continues to create fables
In 1808, 17 of them were already published, among which was the famous fable “The Elephant and the Pug.”
In 1809, the first collection was published, which immediately made Krylov truly famous. In total, he wrote more than 200 different fables, combined into 9 books. Ivan Andreevich worked until his last days: the writer’s acquaintances and friends received his last lifetime edition in 1844, along with a message about the writer’s death.
Krylov’s work was first dominated by adaptations and translations of La Fontaine’s fables (“The Wolf and the Lamb,” “Dragonfly and the Ant”), after which this author gradually began to find independent plots related to topical events of reality. For example, the fables “The Wolf in the Kennel”, “Swan, Pike and Cancer”, “Quartet” are a reaction to political events. “The Hermit and the Bear”, “The Curious” and others were based on more abstract plots. But the fables created “on the topic of the day” very soon began to be perceived as generalized.
At one time, Ivan Krylov, who laughed at Karamzin’s style for his predilection for common expressions, began to create works that everyone could understand. He turned into a truly people's writer.
Education
Ivan Krylov did not have the opportunity to receive a good education. When he was little, his father taught him to read. The elder Krylov himself loved reading very much and left his son a large chest full of books as an inheritance.
Wealthy neighbors lived nearby and allowed the boy to attend the French lessons taught to their children. So Ivan gradually learned a foreign language. In general, Krylov received his entire education mainly due to the fact that he read a lot.
But what attracted him greatly in adolescence were noisy fairs and fist fights, shopping areas and public gatherings; he loved to hang around among ordinary people and listen to what they were talking about. At one time he even took part in street fights, which were called “wall to wall”; the guy himself was very strong and tall, so he often emerged victorious.
Krylov's first fables
The first fables in the biography of Ivan Andreevich Krylov were published without a signature. They appeared in the magazine "Morning Hours" in 1788.
Three works, called “The Shy Gambler”, “The Fate of the Gamblers”, “The Newly Granted Donkey”, remained practically unnoticed, since they contained a lot of sarcasm and causticity, but little skill.
Magazine publishing
In 1789, Ivan Krylov, together with Rachmanin, began publishing the magazine “Mail of Spirits”. However, it was not a success and therefore had to be closed that same year.
After 3 years, with a group of like-minded people, Krylov publishes a magazine called “Spectator”. A year later, the magazine “St. Petersburg Mercury” appeared.
These publications published some of Krylov’s prose works, the most striking of which were the story “Kaib” and the article “A Eulogy to My Grandfather,” which was quite bold for its time, denouncing landowner tyranny.
Dark spots of the biography
Next, a dark period begins in Krylov’s biography. In 1793, he unexpectedly left St. Petersburg and stopped his literary activities. Why this happened is not known for certain.
Perhaps the authorities began to put pressure on him, or, as some biographers believe, failure in the literary field pushed him to seek happiness in other activities.
One way or another, at this time Krylov almost abandoned writing, and only in 1806 did he return to active literary activity.
Labor activity
Due to the fact that the family was in need, Krylov began working very early. In 1777, he was taken to the Tver magistrate, where his father served until his death, to the position of sub-office clerk. They paid pennies there, but at least the family didn’t die of hunger.
In 1782, the mother and her sons moved to St. Petersburg to seek a pension. Here Ivan got a job in the state chamber with a salary of 80-90 rubles.
In 1788, his mother died, and Krylov took full responsibility for raising his younger brother Lev. All his life, Ivan Andreevich took care of him as if he were his own son. Work in the state chamber no longer suited Krylov and he went to work in the Cabinet of Her Majesty (it was an institution like the personal office of the Empress).
Flourishing creativity and recognition
In 1805, the writer showed the country’s most famous fabulist I.I. Dmitriev his version of a translation from French of La Fontaine’s fables. Dmitriev was enthusiastic about Krylov’s texts and persistently convinced him that composing original texts and translating existing ones was his calling. But Krylov still tried to continue his drama studies.
In 1806, his most popular comedies were staged: “The Fashion Shop” and “A Lesson for Daughters.”
At the same time, Krylov also writes fables, although he publishes them reluctantly. Only in 1809, he published 23 fables as a separate collection, several of which were written on original plots. This date marks the beginning of Krylov’s all-Russian fame.
In the wake of the patriotic upsurge caused by the Napoleonic wars, Ivan Andreevich becomes the most popular writer in the country. His works ridicule the gallomania characteristic of Russia, while everything domestic is extolled.
The success of the first fables allows Krylov to take a prominent place among Russian writers. His financial situation was also improving: since 1810, Krylov had been working at the Imperial Public Library. In addition, he was assigned a personal pension, which soon increased first by 2 and then by 4 times. At the time of his retirement (1841), Krylov received 11,700 rubles. notes per year.
Over the years, the writer becomes more and more lazy. In the first 12 years of his literary activity, he published 140 fables, and in the next 25 - only 68. But the quantitative decline did not lead to a qualitative one.
All Krylov's fables are the result of painstaking work. Analysis of the drafts shows that the writer carefully abridged the original texts, striving for the greatest possible brevity, clarity and clarity of language, even if sometimes this was at the expense of spelling.
The source of Krylov’s aphorisms, which add poignancy and imagery to his fables, was the lively colloquial speech with which he was very familiar. Borrowings from the folk language instead of Church Slavonic archaisms allowed a large number of readers to become acquainted with the works of Krylov.
The combination of vivid images with biting satire directed against hypocrisy, stupidity and hypocrisy made his fables so popular among the people.
The most famous fables of I. A. Krylov.
Literary activity
In 1784, Krylov wrote his first work - the opera libretto “The Coffee House”. In the next two years, he composed two more tragedies, “Cleopatra” and “Philomela,” followed by the comedies “The Mad Family” and “The Writer in the Hallway.” So the young playwright began to work closely with the theater committee, receiving a free ticket.
The next comedy, “The Pranksters,” was different from the previous two; it was already bold, lively and witty in a new way.
In 1788, Krylov’s first fables were published in the magazine “Morning Hours”. Caustic and full of sarcasm, they did not receive approval from readers and critics.
Krylov decided to abandon public service and engage in publishing. For several years he was engaged in the production of satirical magazines:
- "Spirit Mail";
- "Viewer";
- "St. Petersburg Mercury".
In these magazines he published his fables and some prose works.
The authorities were not too fond of Krylov’s sarcasm; the Empress even invited him to go abroad for a while. But Ivan Andreevich refused and moved to Zubrilovka - the estate of Prince Golitsyn. There he worked as a secretary, taught children, and also wrote plays for home performances.
Krylov returned to active literary activity in 1806. He came to St. Petersburg, where he staged two comedies, “Fashion Shop” and “Lesson for Daughters,” one after the other, which were a huge success.
And in 1809, Krylov’s rise as a fabulist began. The first collection of his fables included 23 works, among them the famous “Elephant and Moska”. The book turned out to be very popular, and readers began to look forward to new fables by Krylov.
Along with this, Ivan Andreevich returned to public service; he worked at the Imperial Public Library for almost 30 years.
More than 200 fables came from Krylov’s pen, in which he exposed both human vices and Russian reality. Every child knows these works of his:
- "The Wolf and the Lamb";
- "A Crow and a fox";
- "Dragonfly and Ant";
- "Swan, Cancer and Pike";
- "The Monkey and the Glasses";
- "Quartet".
Many expressions from his fables have firmly entered into colloquial Russian speech and have become popular.
Ivan Andreevich Krylov - biography, creativity, summary
Ivan Andreevich Krylov is a famous poet and publicist, born on February 2, 1769 in Moscow. Ivan Krylov did not have the opportunity to get a good education, and from his father he received only a lot of books and a great love for them. The boy's wealthy neighbors allowed him to attend French lessons for their children. So Ivan Andreevich Krylov learned French tolerably.
The boy began to work very early, and also learned what it was like to live in poverty. When Ivan’s dad died, he was hired as a sub-clerk at the provincial magistrate of Tver, where Krylov Sr. had previously worked. There was only enough money for food, so life was very difficult. After 5 years, the mother of the future fabulist takes her children with her and goes to St. Petersburg to seek her pension, as well as to prepare her eldest son for work. So Ivan Krylov began working as a clerk in the treasury chamber.
Young Krylov read a lot to get proper self-education. It is also known that in his youth he taught himself to play various instruments. At the age of 15, the young man himself wrote a small comic opera called “The Coffee House.” This can be called the poet’s first debut in literature. Due to poverty, Ivan Krylov was well acquainted with the life and customs of ordinary people, so such experience became very useful in the future.
Creation
After moving to St. Petersburg, Ivan Andreevich visited the newly opened theater. There he met many artists and from then on lived the passions of this sanctuary of art. Krylov loved literary activity too much, so at the age of 18 he resigned from government service.
Literary activity was not very successful at first. Soon the fabulist wrote the tragedy Philomela, imitating the classics. But this work was mediocre, but the young writer did not stop.
After some time, the poet created several comedies: “Pranksters”, “Mad Family”, “Writer in the Hallway” and many others. This time, the growth of Krylov's skill was noticeable, but most readers and critics were dissatisfied.
Ivan Andreevich's first fables were published without a subscription. In 1788 they could be seen in the Morning Hours magazine. Three creations, called “The Newly Granted Donkey,” “The Fate of the Gamblers,” and “The Shy Gambler,” were practically unnoticed by critics and readers. They had a lot of causticity and sarcasm, but no skill.
In 1789, the fabulist published the magazine “Mail of Spirits” together with Rachmanin. But the publication does not receive the desired success and is no longer published. Krylov does not stop there.
Magazine "Mail of Spirits"
After 3 years, he creates another magazine called “Spectator”. Then, after another 1 year, the magazine “St. Petersburg Mercury” is published. Ivan Andreevich Krylov published some of his works in these publications.
In 1805, Krylov translated two fables, “The Oak and the Cane” and “The Picky Bride.” In 1809, the first edition of Ivan Krylov gained enormous popularity; it consisted of 23 works. Thus, the fabulist becomes very popular and the public eagerly awaits his new creations.
In 1810, he became an assistant librarian at the Imperial Public Library, where he would work until 1841.
In 1825, in Paris, Count Grigory Orlov published I. A. Krylov's Fables in two volumes in French, Russian and Italian. This book was the first foreign publication of fables.
Throughout his life, the writer created more than 200 fables. Krylov lived long enough; he was a very smart and kind man. He created his works not only for highly educated intellectuals, but also for ordinary people. The fabulist died on November 21, 1844. Many thought that Krylov died from volvulus, but in fact the cause of death was bilateral pneumonia.
last years of life
In the last years of his life, Krylov was in good standing with the tsarist authorities, received the position of state councilor and had an ample pension benefit. He became lazy and did not hesitate to be known as a slob and a glutton. We can say that at the end of his life all his talent dissolved in gourmetism and laziness.
Officially, Krylov was never married, but his contemporaries claimed that he lived in a civil marriage with his cook Fenya, and from him she gave birth to a daughter, Sasha. When Fenya died, Sasha lived in Krylov’s house, then he married her off, nursed the children, and after her death he transferred his entire fortune to Sasha’s husband.
Ivan Andreevich died of pneumonia on November 21, 1844.
Death of Krylov, how he died
Although no new works had appeared from the pen of I. A. Krylov since 1836, in 1838 the whole country was preparing for the anniversary of his creative activity. 6 years later, on November 9 (21), 1844, the great writer died of double pneumonia and was buried with honors at the Tikhvin cemetery of the Alexander Nevsky Lavra. Many people slandered that the death occurred due to the fabulist’s excessive appetite, as a result of which intestinal volvulus occurred.
Krylov's grave at the Tikhvin cemetery in the Alexander Nevsky Lavra.
Sergey Krylov
Sergei Krylov, singer and showman, was born on August 25, 1961.
Private bussiness
Sergei Lvovich Krylov (58 years old) was born in Tula, where his mother worked at an arms factory. His parents divorced when Sergei was still a child, and he was raised by his stepfather. Mother and stepfather died in a robber attack in July 2004.
In 1977, Krylov graduated from music school, and a year later from secondary school. He decided to enter the theater institute, but he could not do this right away.
From 1981 to 1985 he studied at the Yaroslavl Theater Institute. Having received a diploma in the specialty “drama theater and film actor”, he left for Moscow. Since 1986, he worked as a musician and showman at the Record Popular Music Studio, the country’s first self-supporting company that was engaged in sound recording, producing groups and performers, and organizing their concerts.
In the same year, he went on his first tour as part of Levon Vardanyan’s group. In March 1987, he recorded the solo album “The Illusion of Life.” In October he appeared on television for the first time - a video for his song “Black Sea” was shown in “Morning Mail”.
In the same year, Krylov shot a video for the song “Hello, Alla Borisovna,” for which Pugacheva herself came to film.
In 1989, he made the film Made in India - about the tour of Valery Leontyev and his group “Echo” in India.
In December 1991, he presented the song “Girl”, which became his calling card. In 1992-1994 he hosted the program “Night Channel Dream-Vision”, and in 1993 he played Ostap Bender in Vasily Pichul’s film “An Idiot’s Dream” - an experimental film adaptation of “The Golden Calf”. The film went unnoticed, and Krylov did not play major roles after that.
In 1994, he partially sponsored the trip of the singer Judith (Maria Katz) to Eurovision. Russia participated in the competition for the first time that year; Judith took ninth place with the song “Eternal Wanderer.”
At the same time, Krylov, fascinated by numerology, launched the “Angel 421” project and recorded an album with songs by Alexander Dobronravov based on the poems of Victor Pelenyagre (“How delightful are the evenings in Russia”). Also in 1994, Krylov released the collection “Port Said” with hits from past years. According to the results of official sales, the album became “gold” (that is, more than 500,000 discs and cassettes were sold). In 1995, Krylov gave a solo concert at the Manhattan Center Studio in New York.
In 1997, he released the album “Monsieur Vysotsky, come back to us,” which was a mixture of chanson, courtyard and bard songs. He recorded a disc together with the musicians of the group “Different People”. A video was shot for the song “In short, I’m calling from Sochi.” The disc was dedicated to the 60th anniversary of the birth of Vladimir Vysotsky.
In 2003, the album “Everything is Normal” was released, and in 2008, the Sochi Winter Theater invited Sergei Krylov to create a modern performance based on the film “The Diamond Arm”. However, due to the financial crisis, the production, in which, in addition to Krylov, showman Pavel Volya was supposed to participate, for example, did not take place.
From time to time Krylov gives concerts. In July 2014, he said: “Although I don’t give concerts as often as Stas Mikhailov or Grigory Leps. But that's enough for me. I am not greedy. I don't know what to do with the money. I don’t want to build steamships, I don’t want to buy yachts, like Abramovich.”
What is he famous for?
Speech by Sergei Krylov. Photo: maximilians.ru
Recognizable pop singer of the 1990s - early 2000s, author of the hits “In the distant Bay of Biscay”, “Bright Angel of Forbidden Love”, “In short, I’m calling from Sochi” and “Girl”:
Devo-devo-devo-my girl,
If only I knew how much I love you,
She probably would have come running to me right away.
In the late 1990s, the performer began to gravitate towards chanson. In 2003 he released his last album to date, “Everything is Normal.” Krylov is one of the most obese people on the Russian stage: with a height of 178 cm, he weighs about 150 kg.
What you need to know
During the three years that Krylov spent in Tula, unsuccessfully trying to enter the theater school, he managed to get married and become a father. In his first marriage to Larisa Makarova, he had a daughter, Carolina (1980). The couple divorced in 1981. The singer did not maintain a relationship with his daughter. He said that he “raised her sporadically.” In 2012, the “Maximum” program on NTV showed that Karolina Krylova lives in a squalid parental apartment and “loves sparkling wine.” Krylov himself came to the broadcast studio, where presenter Gleb Pyanykh reproached the musician and advised him to get Karolina out of Tula. In April 2013, the girl reported that Krylov had given her a trip to Odessa for her birthday, where he sexually harassed her.
“And when we went to bed at the hotel, I was surprised - I saw there was one large bed, not separate. We went to bed, but I woke up because they were stroking my buttocks. I couldn’t stand it - I got dressed and slammed the door,” Caroline said. As of August 2014, she worked as a secretary at a school and lived with her mother and paralyzed grandmother.
For the second time, Krylov married a student at the Yaroslavl Theater Institute, Lyubov Dubovik. In 1992, a son, Ian, was born into the marriage. As of 2014, Ian lived with his mother in London, where he studied at college, studying the history of comics films. In February 2014, Krylov said: “At 22 years old, he adopted many positive qualities from his mother. It was important for me that he not repeat my fate in some ways. At one time he began to gain weight, but then he decided to come to his senses and wanted to change himself. Now he is so handsome! He looks like the son of the lead singer of the Tokyo group. Krylov’s son has no right to be as fat as his father.”
Direct speech
About the 1990s (“Interlocutor”, July 2014): “I was thirty-three years old, and I came up with one very good project. I wanted to travel to stadiums with artists and give large-scale concerts. <…> A team was formed, which included the group “A-Studio”, Soso Pavliashvili, “Ex-BB”, Presnyakov Sr., Yulia Nachalova, Maxim Fadeev. At my own peril and risk, I took two trailers with equipment and drove. No one had done this before me. But I overestimated the audience in our country: at that time the public was not ready for such concerts. The gangster-minded stadium managers were especially unprepared for our concerts. At that time I was far from this: I didn’t even know the meaning of the words “lads” or “roof”. <…> In one city, for example, they cheated me out of money. And we were forced to stop working. But it was a very good start."
About Eurovision (ibid.): “I didn’t know anything about Eurovision, but I realized that there was one problem: they don’t have 100 thousand dollars to go to the competition. And I had a thought: just a minute, we have money that was given to us for the project! We had to promote it, and I knew that representatives of twenty-five major publications would attend the competition. I thought that they would write everything about us, it would be a good advertising step. But everything turned out to be difficult. The journalists came to Dublin, but drank every day. Nobody approached me or asked anything. <…> The money that we gave to the guys ended up not being public, but my personal. Two weeks after the event, the group that financed all this told me: “Seryozha, you and I are not on the same path. Your projects are so bold!”
About sex (ibid.): “I am an ideally conceived person. I was conceived on November 7, 1960, on my parents' wedding night. Mom waited for dad for three years, and during this time her egg matured. She was a virgin, like most girls of that time. I believe that that worldview needs to be brought back again. <…> Ugly sex is when you meet girls who easily give themselves away. It doesn’t matter for what reason: either you’re so cool, or she’s such a fool. It doesn’t matter, but you just get dirty on her, you take all the codes of her diseases. So you slept, took one dip and took away all the negative information. For what? Having sex with a condom is absolutely insane.”
About the inconspicuous Novodevichy Convent (Moscvichka.ru, December 2008): “When my wife and I wandered here, we were very surprised. For me this is a real frontal place. It is special, prayerful and at the same time very accessible. I definitely show the Novodevichy Convent to all guests of the capital. For a long time I didn’t even realize that there was a cemetery there where many famous people were buried. For example, Boris Nikolaevich Yeltsin. Driving here, for some reason I always think about it. <…> I’ve always wondered which of the greats visited here? Alexander Sergeevich Pushkin? Or perhaps Lev Nikolaevich Tolstoy? What did they experience when they came into contact with this place?
7 facts about Sergei Krylov
- By his own admission, he started singing before he spoke. However, he mastered speech only at the age of three. The first phrase he uttered was: “Grandma, please make me some scrambled eggs.”
- After graduating from college at the age of 25, Sergei Krylov was drafted into the army, but served only half a day: in the evening he was discharged for health reasons. He said that his service ended after a conflict with a major who swore, and conscript Krylov demanded that it stop.
- For some time he was a defender in the football team of pop stars “Starko”.
- In the early 1990s, he launched his own project “Angel 421”, the numbers in which are a mirror image of the date of Gagarin’s flight into space - 12.4.1961. the numbers were chosen after a conversation with the mother: Krylov asked what events shocked her most during pregnancy. She answered: the passing of her father and Gagarin’s flight into space. This is how the “Angel” project appeared. “It’s simple,” said Krylov, “it’s a counter movement. If the Earth gave its son in the person of Yuri Alekseevich Gagarin, then why shouldn’t heaven give anything in return? That's why an angel came to us. Believe it or not. Why 421? In the opposite direction it is 124, that is, 12 and 4 - April 12, Cosmonautics Day.”
- Participated in the television projects “The Last Hero” and “You are a Superstar!”
- In addition to song lyrics, he writes poetry, but rarely reads them and does not publish them.
- He is the vice-president of the World Charity Organization of Professional Fashionable Sex Theorists, whose goal is to ensure that virgins get married. “I don’t know how it even occurred to me,” said the artist. “But I know that modern girls live so shamefully.” It's shameful and ugly, you know? They are not my children, but this is not possible. It’s our task to try to bring back this tradition when you marry a virgin.”
Materials about Sergei Krylov:
Biography on Wikipedia
Article about the artist on the website “Find out everything”
Biography on Radioshanson.fm
Death of Ivan Andreevich
Ivan Krylov died in St. Petersburg in 1844. Ivan Andreevich's funeral was magnificent. The second man in the Russian state, Count Orlov, removed the student who was carrying the coffin and himself carried him to the road. Krylov's contemporaries believed that Sasha, the daughter of his cook, was born from him. This is confirmed by the fact that the writer sent the girl to a boarding school, and after the death of the cook, he raised her as a daughter, in addition, he gave a rich dowry for her. Before his death, Ivan Andreevich bequeathed all his property, as well as all rights to his works, to Sasha’s husband.
This is how our brief biography of Krylov ends. Now you know that this man created not only fables. In addition, you may not be aware that A. G. Rubinstein set to music such fables as “Quartet”, “Dragonfly and Ant”, “Donkey and Nightingale”, “Cuckoo and Eagle”. And Kasyanik Yu. M. also created a vocal cycle for piano and bass “Krylov’s Fables”, which includes the works “The Crow and the Fox”, “Donkey and Nightingale”, “Pedestrians and Dogs”, “Tripenets”. All these creations are very interesting.
