Previously, it was impossible to imagine a wedding where the bride was without a veil. And this is not surprising, because it was worn not as a tribute to fashion, but in order to protect the girl from the evil eye. Therefore, this accessory was required at the ceremony, because it acted as a talisman. Over time, the purpose of the veil changed and became more of a symbol of the bride's purity and innocence. So is it possible to get married without a veil these days?
Veil for long hair: no or yes?
Wedding hairstyles without a veil, photos.
A weightless, luxurious floor-length or flirty shortened veil decorates and adds femininity. Many people, not unreasonably, believe that it is the veil that makes the bride a bride.
The times when only the virgins wore a veil are fortunately gone!, and any girl can fulfill her dream of wearing this exclusively wedding accessory at least once in her life.
Who exactly would suit wedding hairstyles without a veil for long hair?
Brides of Balzac's age are better off not once again emphasizing their years with a snow-white veil on their heads. This will create unnecessary contrast. It would be more appropriate to create a stylish and elegant wedding look than to “look younger” by imitating young girls.
Owners of luxurious long hair should also think about the need for a veil, because... In any case, it will cover part of the hairstyle. Why hide your perfect shiny locks? A delicate headband, tiara, and fresh flowers will be an excellent alternative. Compromise: a removable veil that can be easily removed before the banquet without damaging styling.
If you are planning a conceptual wedding, think about whether a veil would be appropriate in the look. For example, for fans of “Game of Thrones” it is difficult to imagine Daenerys with her head covered, and the whole idea of the celebration will be lost. Be on the same wavelength with the main ideological idea!
“The Bride Without a Veil” by Gillian Hunter read online - page 1
Gillian Hunter
BRIDE WITHOUT A VEIL
Chapter 1
Manx-Huntly
England, 1808
Miss Violet Knowlton had suspected for years that something was wrong with her. However, it was only in the thirteenth summer of her life that she discovered a hidden flaw in herself. Until then, she considered herself an obedient girl who was lucky in life, despite the fact that she had lost her parents so long ago that she did not even have memories of them to grieve over the loss.
Her aunt and uncle, Baron and Lady Ashfield, cherished her, nurtured her and raised her as their own child. From Falmouth, where life was in full swing, they moved to a godforsaken village called Manx Huntly to protect Violet from the temptations that, as she knew for certain, lay in wait for every girl unaware of the omnipresent enemies of the human race. And the older Violet got, the more often she, looking into the distance from the bedroom window, thought about the form in which this formidable enemy would appear to her - temptation. Will he appear as a man? Or a wild beast? She lived under the impression that this mysterious danger threatened all girls without exception. If only her guardians could explain to her why they so often fall silent when she enters the room without knocking. If only they had admitted to her that the danger lay within herself and that they were going to protect her from herself, she might perhaps have tripled her vigilance.
All their attempts to save her were doomed to failure.
There were two months left before her thirteenth birthday when Violet, looking out of the window, first noticed the boy in an abandoned cemetery in a ravine between the forest and his uncle’s manor house. In the gathering dusk, it seemed to her that the boy was vigorously fighting with someone, but with whom? Violet, no matter how hard she tried, could not see his opponent.
Three days passed before she saw him again. This time it was not so dark, and she realized that the boy was only fighting an imaginary enemy. And from then on, every evening she no longer left her post at the window, peering into the darkness for hours, hoping to see the mysterious warrior who intrigued her.
She couldn't describe it in detail. If we consider the cemetery as a stage, and her place by the window as a chair in the auditorium, then this place was good, because from here the boy seemed tall, dexterous and brave to her. He wasn't a ghost. Violet had seen him once in daylight, running across the gravestones, twirling his weapon above his head. He ran as if he were being chased by a band of bandits or a flock of dragons, or as if he was being chased by bandits or dragons.
Sometimes he appeared and disappeared right before her eyes, as if by magic. She wondered where he lived and why he was not afraid to play in the cemetery, which everyone in Manx-Huntly avoided. She thought about him for hours because she was lonely and because she was desperate to make friends among the other young ladies living in the village. The girls who grew up in this village around the monastery did not allow anyone into their circle. And the more she tried to impress them, the more they avoided her, until finally Violet gave up all attempts to get closer.
In fact, her only friend was Miss Winifred Higgins, the governess whom Violet's uncle hired after meeting at a spring fair. Miss Winifred was a pretty red-haired girl, good-natured and friendly, and just when Violet felt that she was increasingly liking the governess and treating her more like a friend than a mentor, Winifred confessed to her that lied to Baron Ashfield about her qualifications. She was not a twenty-year-old boarding school graduate, and she had no experience in mentoring young ladies.
As it turned out, Miss Higgins never went to school, but ran away from home. While Violet sat on the garden fence and drew dragonflies, her governess was seduced by the mason's son in the thicket near the thorny hedge. Miss Higgins swore to Violet that they were in true love.
“How old are you really, Miss Higgins?”
Winifred looked at Violet.
- Nineteen.
- Honestly?
“I shouldn’t have told you anything,” Winifred muttered through clenched teeth.
- I told you about the boy.
“Don't go near him,” Winifred warned her. - At least one don't come near. “She frowned: “I’m almost eighteen.” “I guess you're going to tell your uncle that I lied.”
- No. “Violet couldn’t even imagine that she would lose her only friend. “Are you going to tell him about the boy?”
“I haven’t seen any boy yet.”
- But do you believe that I saw him?
Miss Higgins shrugged.
- Why not?
As Violet learned that summer, there are certain advantages to having a governess who not only neglects her duties, but is also in your debt. Soon Winifred began to allow Violet liberties that had until then been prohibited to her. She turned a blind eye to the fact that Violet was walking around the garden barefoot, and allowed her pupil to wander further and further from the manor house, until one day they found themselves on the edge of a slope, from which the ruins of a church and an abandoned cemetery were visible.
Violet and Miss Higgins gazed in silence at the rows of moss-covered gravestones. They looked so romantic from Violet's bedroom window. Winifred whispered:
- And why would anyone want to visit such places?
“For the sake of treasure,” answered a cheerful voice behind them.
Winifred screamed enough to awaken an army of ghosts from their eternal slumber. She almost fell into the ravine out of fear, but Violet grabbed her hand. She would have squealed herself if she had not recognized the plump young gentleman in the jacket with tin buttons. It was just their neighbor Eldie - Eldbert Tomkinson - the son of the village doctor. He talked to Violet every Sunday after church and often came to their house to play chess with his uncle. Aldy recited entire poems by heart backwards, and he also drew a map of Manx-Huntly on his sheet.
Violet thought that Eldie was too smart - it was harmful for a person to be so smart - but, to his credit, he said that he believed that she had seen a boy who was fighting with swords with some invisible opponent in the churchyard. But Aldie was not that boy, and Violet even experienced some disappointment because of this.
- What is he doing here? - Winifred whispered, looking suspiciously at Eldbert and his shovel, which he held on his shoulder.
“He is convinced that there is a treasure buried among the graves, but he is afraid to look for it alone.
“I'm not afraid,” said Eldbert. “I just need an assistant to hold the map and consult the compass while I dig.”
None of them had ever dared to come so close to these ruins.
A few days later, Violet and Eldbert met again and, plucking up courage - now they had twice as much courage between them - they slid down the slope of the ravine to the churchyard. Violet stopped just in front of the gravestone - fortunately, neither her sketchbook nor her pencils were damaged; Eldbert rolled towards the same slab with a shovel and a map.
Both Violet and Eldbert understood that their freedom would not last long. In the coming days, their common sworn enemy, the Honorable Ambrose Tilton, will, of course, notice that he has not seen his neighbors for a long time, and decide to find out why. Ambrose, as heir to the title of Viscount, was soon to become an enviable prey for the unmarried girls of Manx-Huntly. However, in Violet's opinion, there was nothing enviable about Tilton - she considered him mean and harmful and tolerated him only because of Eldbert. She never understood why Eldbert allowed Ambrose to bully him, until one day Eldy let slip that Ambrose was regularly beaten by older boys at school, and he was ashamed to tell his father or homeroom teacher about it.
“But he’s big,” Violet said, not believing her ears.
“He's afraid,” said Eldbert. “You know, not all boys are brave, and you should feel sorry for him, Violet.”
And Violet felt sorry for him, except when he became extremely nasty - the most nasty boy in England.
“Are you looking for that strange guy with the sword again?” - he shouted to her one day from the edge of the ravine. - Know that he doesn’t exist! And there are no treasures either! I hope you eventually realize that you look stupid!
But the boy with the sword existed, and Violet was determined to find out who he was, although she wasn't sure she had the courage to scour the cemetery. And of course, she would never climb into the fairly sagging ruins of the family crypt, where the count and all his household were buried more than a hundred years ago.
- Do you want to go to the catacombs? - Eldbert asked her one day.
- Of course not. Those who died from the plague were buried there.
“Well, yes,” Eldbert grinned. — Moreover, the funeral team stacked the corpses one on top of the other, like logs.
- Brrr.
They stuck together, sneaking between patches of grass and cracked gravestones. Violet only read a few of the names and epitaphs on the gravestones she passed. She refused to believe that life ended like this, in desolation and oblivion, and was glad that Eldie’s mother was laid to eternal rest in the cemetery on the other side of the village.
“Let this be the River Styx,” said Eldbert, pointing with his shovel to the stream babbling in front of the chapel.
Violet felt a chill run down her spine, but it was not a shiver of fear, but a shiver of excitement.
- Well, if this is the River Styx, then we are all standing at the gates to the kingdom of the dead, and I hope that no one is home.
Eldi turned his head:
-What's that noise?
Violet listened to the babbling stream and the pounding of her heart and then heard a very soft scraping sound - like metal scraping stone.
“There’s someone there,” she whispered, looking at the catacombs.
- A fox, perhaps. Or restless spirits. Maybe something worse. Let's check it out one of these days.
“We shouldn’t come here, you know.”
“They shouldn’t,” Eldbert agreed and pulled her hand.
They climbed the steps to the very top and came out onto the platform in front of the chapel, when from somewhere below from the catacombs the familiar metallic grinding sound was clearly heard again.
Eldbert began to climb up the slope of the ravine, but Violet called out to him.
“Eldbert,” she whispered. - Look, it's him.
A boy crawled out of the dungeon and began to climb the steps. He strutted across the patchy grass and walked towards Violet.
He was quite tall, and his very light curly, like a fairy-tale elf, hair reached his chin. From where Violet stood, his eyes seemed to reflect light, sparkling like crystals. He was dressed strangely - in elegant nankeen trousers, a striped shirt and a torn yellow jacket, which he wore with such panache, as if it were a cloak with ermine lining.
Eldbert rolled down, almost knocking her off her feet.
- He’s a poor fellow from the “palace”! - he whispered.
- Where?
“From the palace,” Eldi repeated. - Let's run from here.
Eldbert was right, because he is always right. She might have been intrigued by the boy, but that didn't mean he was a decent, polite boy. As for the fact that he was from the palace, well, she could not blame him for that.
“I'm sorry if we disturbed you,” Violet said quickly. “I saw you practicing with a sword, and you made such an impression on me that... that... My name is Violet Knowlton, and this is my neighbor Eldbert Tomkinson. We shouldn't be here, of course, but we... we...
The boy didn't say anything. He maintained such a calm expression that Violet doubted whether he understood her. She waited a little. She wanted to run away, but her intuition told her that it was too late to run away. She really hoped to become friends with him, but he obviously did not share her intentions.
And suddenly he smiled.
“My name is Keith,” he said quite friendly and suddenly pulled out a sword from under his yellow jacket. Lowering the blade onto Violet's shoulder, he added, “I think I'll have to take you hostage.”
Eldbert, taken aback, even dropped the shovel from his hands.
- What did she do to you?
Keith just glanced at him.
- Mind your own business.
“Run, Violet,” Eldbert whispered to her. “Bring my father and servants while I keep him here.” Bring Miss Higgins if you can find her.
The boy laughed contemptuously, indicating that Eldbert was not intimidated at all.
“Well, go ahead,” he said to Violet. “Why don’t you take your sister’s advice and run home?”
“You don’t have to act like that,” Violet muttered. - We thought about making friends with you...
- Make friends? You heard: I am taking you hostage. I'm going to take you to the catacombs, and this brat won't be able to do anything to me.
Violet finally woke up - she couldn't let Eldbert be insulted like that. Without thinking about the consequences, she took off her shawl and threw it over the rude man's face.
“I’m sorry that I even looked at you.” It doesn't surprise me that you always play alone in this terrible place. What good is it to slash invisible enemies with a sword?
Keith tried to take off the shawl, but the fringe twisted around the hilt of the sword, and no matter how skillfully and deftly he rotated the weapon, the woolen threads did not want to unravel. Finally, the girl took off her shawl from him, looked at Keith with a disapproving look, and with an imperturbable look put it back on her shoulders. She carried herself with royal dignity, and it made Keith feel dirty and pathetic. He recognized her as the girl who had been watching him from the window of the house on the hill, and knew that if she had wanted, she would have complained about him to the workhouse guards, but she did not tell anyone anything and was his only spectator during the sword exercises , and it flattered him. Her company was much more pleasant than the company of the dead with whom Keith fought. The ghosts could not harm him, but the guards at the orphanage could if they found out that he was slacking from work.
The overseers liked to flog the boys, tearing off not only the skin, but also the meat, or hanging them upside down at night, or putting them in a punishment cell. Keith hated the punishment cell most of all, especially when the guard let rats into the closet.
Keith had lived in the workhouse for twelve years, and was transferred there from an orphanage when he was two years old. The workhouse register stated that he was found wrapped in a cloak on the doorstep.
Now he was let out of the workhouse for three hours every other day to collect stones and scare away crows instead of a scarecrow in the fields of an old farmer, and Keith came to the churchyard in search of peace. He could not say with certainty why he was attracted to the catacombs and lopsided tombstones. Maybe because underneath them was a tunnel that led to the workhouse?
A century and a half ago, there was a plague here in Manx Huntly. The disease spared only a few families. A curse hangs over the cemetery. And in the shade of the elms that surrounded the place nothing grew except grass and toadstools.
Sometimes Keith put on a real fighting show for the sake of a girl who was far enough away from him and had absolutely no idea that he was an ordinary beggar boy.
The girl was quite pretty - dark-haired, with radiant eyes and a ringing voice. And her face was reminiscent of the faces on brooches worn by lovely old ladies who did charity work and visited the “palace”.
The inmates of the workhouse, or “palace” as everyone called it, never, however, had the opportunity to taste any of the vanilla cream cakes that these ladies baked for them. The guards took away the baskets of food - that was the order. So let this girl in the window look at him if she wants. They don't charge money to watch. Whether she looked at him or not, Keith felt neither hot nor cold. What he couldn’t stand was being touched, and even when he was very young he learned to defend himself from the hands that snuck under his blanket. However, they could not endure it for long. He will remain in the “palace” until October, and then he has two options: either run away or be sold to some stranger as an apprentice. He was turning fifteen in October and had to leave home. But the inmates of the workhouse could not afford the luxury of the right to choose their future fate.
Looking at the girl, Keith frowned:
“I didn’t mean to take you hostage.” Not with a weapon like this. - He threw the sword - but in fact an ordinary hoe - over his shoulder. - It was a game. And sword fighting is a game. I wouldn't harm you. Go home quietly.
“Sorry,” Violet said.
- For what?
She bit her lip.
- For ruining your game by accidentally finding out your secret.
Keith was sure he would never see her again.
When he first noticed her at the window, he thought that she was crippled. Then he decided that she must be an heiress who had been brought here from London and was being held hostage in the hope of ransoming her. No one in their right mind would search for a missing girl in Manx Huntly. After a few weeks, he concluded that she had been locked in the house as punishment for disobeying her parents. He even felt sorry for her. He changed his mind about a lot of things before she became his friend.
And none of his assumptions turned out to be correct.
Long braid - bride's beauty
The scope of imagination on the topic of wedding hairstyles without using a veil for maxi length is unlimited. But you must definitely take into account weather conditions. Let us explain: wearing long hair down when the weather is hot and stuffy outside is real torture.
Now imagine your curls under several layers of styling products plus a veil, all you have to do is wait for the end of the celebration, dreaming of a cool shower. And, on the contrary, windy weather will also ruin almost any hairstyle; instead of romantic curls, you will get lifeless varnished “icicles”.
In cases where the wedding is in peak summer or on the seashore, choose high buns or braids, they visually lengthen the neck and look beautiful without a veil. In addition, it is convenient, the image will remain impeccable throughout the day.
Many masters now provide such an important and necessary service as changing a hairstyle for a wedding without a veil. In the case when you just can’t decide whether to wear a veil or you just need to change two different looks, the stylist arrives before the banquet, modifies the styling, adding/removing the necessary wedding accessory.
For example, a Greek braid can easily be transformed into a beautiful openwork bun. And nothing will stop the hot wedding dancing!
Benefits of a wedding veil
If a girl has dreamed of a fluffy dress, beautiful jewelry and a long veil embroidered with patterns since childhood, then the girl will be pleased with her image. Who wants an unhappy bride at the ceremony?! A veil will be an ideal decoration for a dress with a deep neckline or no straps.
Some brides, when using such an addition to their outfit, even refuse pendants around the neck so that the image does not seem too overloaded. Therefore, it can become a real decoration and addition to the wedding image.
Golden mean
Medium hair length is universal. It is suitable for both curling and updos, and looks harmonious without a tulle accessory. Perhaps only the weaving looks boring - the pattern is poorly visible due to the lack of length. No, no, just please, no need to build anything up!
In pursuit of beauty, some brides buy false strands, but instead of unearthly beauty they get:
- additional excitement and worry: “Did they sew them on for me well?”;
- false beauty, it scares and repels suitors “Oh God, whose hair are you wearing?!?”;
- inconvenience “how to take them off before the wedding night?”, “or not to take them off?”, “how to take them off unnoticed?”;
- additional expenses: natural high-quality beautiful strands cost more than one or even two thousand rubles, plus extensions, plus the actual hairstyle and accessories for it - the result will be quite impressive.
You can, of course, buy a cheap analogue, but here, as they say, no comment. Therefore, long before the wedding, take care of the hair that you already have: treatment, polishing, lamination will make it chic without any false strands.
https://www.youtube.com/watch?v=zLVp7AuWYrg
Various veil lengths
Even 20 years ago it was believed that a veil should be long and the longer, the more impressive. But these times have passed, and fabrics several meters long have been replaced by more interesting solutions that appeal to almost all modern brides.
Veil below shoulders
This option is absolutely not suitable for a wedding, but will be an excellent addition to a dress that has beautiful details on the back or chest. Thus, all design decisions will remain visible and will not be hidden from view.
Veil to waist
Pairs perfectly with a dress that does not have a train or has a lace-up corset. And if at the same time the bottom of the dress has beautiful design elements, they will remain visible. This type of decoration is most often chosen by girls.
Knee length veil
It is usually used in dresses that have a narrow skirt and a full skirt below the knees or a long train, which is the main decoration of the dress. This length is chosen quite rarely.
Veil to the floor
The accessory is preferred mainly by slender and tall girls, because a floor-length veil perfectly emphasizes all the advantages of the figure, as well as the presence of a waist and a beautiful decorated corset.
For wedding
For this part of the wedding ceremony, the longest and most elegant veil is chosen. Often the length is at least 3 meters. After the wedding, the headdress is usually changed to a more comfortable one, since the long fabric causes some inconvenience in further wearing, tending to get dirty or get caught on something.
Important! For a wedding, a veil that is longer than the floor is unacceptable. Moreover, before the altar, the cloth must be removed from the face, because the opposite is disrespectful in the Christian religion.
Short and to the point
Your short haircut can be the highlight of your entire look. Here, more than ever, a lot depends on the stylist, because you need to be able to play with texture and color. Beautiful coloring or graphic strands can create a completely bomb effect in comparison with the curls that most people are used to.
Be sure to complete all coloring experiments in advance so that you have time to correct any failures. If time allows, you can play ahead of the curve, for example, grow an elongated bob until the “X” day for the so-called “cold” wave. This is an incredibly stylish and beautiful styling.
But a short-cropped nape with a boyish haircut will look comical under a transparent, weightless veil.
Hair decoration
It's no secret that accessories for decorating hairstyles have always been popular among brides. Typically, such fashionable additions were worn along with a veil. For example, they were decorated with artificial flowers, brooches, ribbons or wreaths. But in the modern world, many girls prefer to use hair accessories separately from the classic veil.
In addition, such decorations do not have to be traditionally white. They can have different color palettes. Also, accessories can be made from various fabrics: satin, lace, velvet.
Wedding decorations can be miniature and large, sparkling and matte, narrow and wide. They can be decorated with expensive stones, artificial flowers, beads, beads or rhinestones. The idea of such wedding accessories depends entirely on the rich imagination and taste of the bride.
Cheat sheet for desperate brides: the best hairstyles with bangs and 27 photos
If doubts do not leave you, and the advice of your friends begins to irritate you, try these safe options for wedding hairstyles with bangs that look cool without a veil:
- all types of curls, from careless ones a la “surfer’s girlfriend” to elastic tight curls - they look romantic, feminine and cool in wedding photos and videos;
- Greek and other types of braids - suitable for almost any look;
- buns - from “royal” to low, gracefully open the neck and luxuriously combine with large earrings.
How to choose a wedding hairstyle for your face type
Determining your face type is easy. Stand in front of a mirror, pull back your hair and line the reflection with lipstick. With the right hairstyle you can correct your face shape.
Round
Brides with a round face need to visually lengthen it using styling. This will help:
- voluminous buns with a straight or side parting (an elegant tiara is suitable for decoration);
- curls framing the face (with a straight parting);
- high hairstyles with backcombing;
- styling in the Greek style (voluminous curls or braids of complex weaving, laid on one side);
- asymmetrical styling.
It is advisable to avoid bulky round jewelry.
Bride with a round face
Oval
Those with an oval face shape are lucky; almost any hairstyle will suit them, with the exception of a mohawk and a high babette. Therefore, when choosing a wedding hairstyle, it is necessary to take into account other features (the style of the celebration, the structure and length of the hair, the type of wedding dress).
A hairstyle with loose hair will go especially well with an oval face. The site has a separate article devoted to this topic. From it you will learn who this styling is suitable for, why it is interesting, how to create it with your own hands and what can be used as decoration.
Trapezoid
Brides with a trapezoidal face need to balance out their massive jaw and cheekbones. You can do this using:
- voluminous high styling with backcombing or root corrugation;
- long large curls covering the cheeks.
It is advisable to decorate your hair with massive hairpins, hoops or flowers.
Triangular
Stylists advise girls with a “triangle” or “heart” face shape to choose:
- styling with long fluffy bangs;
- hairstyles with open ears or with the most voluminous part in the area of the lobes;
- high rounded styling.
Medium-length hair can be curled at the bottom with a curling iron.
Complete
For brides with full cheeks, stylists offer to hide excessive fullness with the help of large curls and decorations (flowers, rhinestones, ribbons).
- lush with complex weaving;
- tall with fleece.
Those who have chosen high wedding hairstyles will find our other article useful. It discusses their various types, gives advice on selecting one or another option, creating and decorating the styling.
Wreaths for brides
Wedding decorations for brides in the form of wreaths have been known in the fashion industry for quite a long time. Therefore, with the passage of time, wreaths do not lose their relevance, but are supplemented with more and more new design ideas. Modern masters of the fashion industry create floral arrangements from artificial flowers made of organza, satin ribbons, with the addition of pearls, stones and glitter.
Flower crowns are elegant pastel arrangements made using vanilla, pink, yellow, purple and salad shades. The color scheme of wedding wreaths and color combinations depend entirely on the designer’s imagination and the bride’s wedding style.
A wreath of flowers on the bride's head can be combined with a boutonniere on the groom's jacket or a wedding bouquet. Wedding wreaths can also be made from natural flowers, which will give the bride a natural and feminine look. However, such living decorations are usually short-lived.
Do not forget about decorative hair clips, combs, hairpins and other original or familiar hair decorations.
Large wedding accessories
A headband, ribbon or hairpin, decorated with large elegant accessories, will brightly complement the bride's wedding style. Such wedding decorations can be decorated with real feathers, flowers made of fabric and beads, bows, a composition of flower bouquets or stones.
These accessories are perfect for a wide variety of brides' hairstyles. This can be either hair gathered in a bun at the back of the head or freely cascading down. At the same time, similar accessories in the form of ribbons or hairpins can be easily attached to the hair in front or behind.
And the bride or her hair stylist will be able to come up with a whole variation of wedding hairstyles using large wedding accessories. There are a huge number of ideas for creating such decorations, and all of them can be original and unique!
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Wide hair bands
Wide ribbons will harmoniously fit into the wedding look of the bride, who decided to appear before the guests in an elegant dress in a “retro” style. This ribbon does not require additional flashy decorations in the form of stones or flowers.
Although tastes and styles are varied, creative brides will be able to come up with any design solution for wedding hair decoration. For example, sew a ribbon with elegant small beads, pearls or embroider floral arrangements.
As a rule, a wide hair ribbon is made of tulle, satin, lace and other materials. And the color scheme and texture of this accessory fully depends on the bride’s wedding dress and her style.
Elegant wedding headbands
Headbands in the form of hoops on brides' hair look no less sophisticated and elegant. These headbands will perfectly highlight the hairstyle of any fashionista. They can be thin and wide, smooth and ribbed, decorated with rhinestones, beads or pearls.
Thin, elegant headbands are especially suitable for girls who prefer neat, sophisticated and not bulky wedding jewelry. In short, an elegant classic!
And headbands with the addition of large brooches, stones, small or large flowers, butterflies, beads and other decorative elements will look great on a bride with a bright and creative taste. Of course, such headbands should be combined with the style and color of the bride’s wedding dress.
