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Ivan Nikolaevich Volkov

(born August 14, 1974, Leningrad) is a Russian actor and composer. Son of Nikolai Volkov Jr. and Olga Volkova.

Biography

Born on August 14, 1974 in Leningrad.

In 1997 he graduated from the acting department of the Russian Academy of Theater Arts (GITIS, course of A.V. Borodin).

From 1997 to 2001 - actor at the Vyacheslav Polunin Clown Theater.

Since 2001 - actor at the Sovremennik Theater. He made his debut in the play “Three Sisters” in the role of Andrei Prozorov.

Actor of the Theater Center named after. Sun. Meyerhold, actor and one of the founders of the Actors' Theater Directors' Society (A.R.T.O.).

Writes music for films and plays.

From 1995 to 2002 he was the husband of Chulpan Khamatova. From this marriage, Volkov has daughters Arina and Asya [1].

From 2004 to 2009 he was married to actress Olesya Yakovleva. From this marriage Volkov has a son, Georgy.

Since 2011, he has been married to actress Lyudmila Kharitonova. From this marriage, Volkov has a daughter, Alexandra.

Ivan Nikolaevich Volkov

Ivan Nikolaevich Volkov.
Born on August 14, 1974 in Leningrad (now St. Petersburg). Soviet and Russian theater and film actor, composer, musician. The son of actors Nikolai Volkov Jr. and Olga Volkova. Grandson of Nikolai Volkov Sr. Ivan Volkov was born on August 14, 1974 in Leningrad (now St. Petersburg) into an acting family.

Father - Nikolai Nikolaevich Volkov (1934-2003), Soviet and Russian actor, People's Artist of the RSFSR.

Mother - Olga Vladimirovna Volkova (nee Politova), Soviet and Russian theater and film actress, People's Artist of Russia.

Ivan’s parents lived in a civil marriage, although Olga Volkova said that their relationship could not even be called a marriage: “It’s hard to even call our relationship a romance, and I had no need to marry him at all, we just met on the path of life, and from this meeting, a son was born.”

Stepfather - Vladimir Khovralev (1931-2015), Honored Artist, chief artist of the Bolshoi Puppet Theater in St. Petersburg.

Stepmother - Vera Viktorovna Volkova, theater expert, teacher of the Moscow Art Theater at a Moscow school.

As a child, he studied music and vocals. For 8 years he studied in the boys' choir at the M.I. Glinka Choir School at the State Academic Chapel in Leningrad. There, in addition to vocals, he learned to play the piano and flute. Then he graduated from the Leningrad Variety School.

In 1997 he graduated from the acting department of GITIS, course A.V. Borodin.

He met his father when he was already 18 years old - Ivan came to study in Moscow. While studying at GITIS, he lived with his father’s family and became friends with his wife. Vera Viktorovna said: “Vanya immediately entered our family, began to live with us, coming from St. Petersburg to Moscow and entering GITIS. For me, he is absolutely my child. Once I even told his mother, Olga Volkova: “It seems to me that it was I who gave birth to him, and not you”... Vanya is a philosopher, he thinks about the global problems of humanity.”

Ivan Volkov in his youth with his mother

From 1997 to 2001, he was an actor at the Vyacheslav Polunin Clown Theater.

In 2001-2006, he was an actor at the Sovremennik Theater.

Then he was an actor at the Theater Center. Sun. Meyerhold.

Actor and one of the founders of the Actors' Theater Directors' Society (A.R.T.O.).

Filmography

• 2001 - The Lion's Share
• 2001 - New Year's Adventures - Misha
• 2003 - Passenger without luggage - Andrey
• 2004 - “Deadline” - screenwriter
• 2005 - Gorynych and Victoria - an exception to the rule - Kuprin Jr.
• 2005-2006 - Lyuba, children and the plant - Anton, investigator
• 2006 - We'll be on your side - Pyotr Yablokov
• 2006 - “Dead Daughters” - Max
• 2007 - Other - Igor
• 2007 - UGRO. Simple guys - Kolchugin
• 2007 - Tatiana's Day - Ustinov
• 2008 - The life that never happened - investigator
• 2009 - Milkmaid from Khatsapetovka 2: Challenge to Fate - Lupine
• 2010 - Milkmaid from Khatsapetovka 3 - Lupine
• 2010 - Ivanov - Lvov, zemstvo doctor
• 2011 - Group of Happiness - Peter
• 2012 - I’ll be there - Sergey
• 2012 - Mom is getting married - Stanislav
• 2014 - Executioner (TV series, 2014) - KGB Major Kirill Protasov
• 2015 - Spider (TV series, 2015) - KGB Major Kirill Protasov

Composer

• 2003 - Game of Modern
• 2005 - Fool
• 2008 - Big Game
• 2011 - No room for error
• 2011 - Cupid
• 2012 - play “Ksenia of Petersburg”, RAMT, Moscow
• 2012 - play “Princess Turandot”, Ulyanovsk Drama Theater named after I.A. Goncharov, Ulyanovsk
• 2014 - play “The Old Woman Is Hatching”, new stage of the Alexandrinsky Theater, St. Petersburg (composer, author of sound design)
• 2015 - play “The Phoenix Bird Returns Home”, Moscow Regional Drama and Comedy Theater, Noginsk
• 2015 - play “The Raven”, Alexandrinsky Theater, St. Petersburg (composer, author of sound design)
• 2016 - play “Rabbit Edward”, RAMT, Moscow (composer, author of sound design)

Theater works

• “Beekeepers”, the role of Kryuchkov - creative group “Ship of Fools” 1997
• “Three Sisters”, role of Andrey - Sovremennik Theater 2000
• “The Deer King”, role of Deramo - RAMT 2001
• “School of Jesters” (first version), role of Galgyut - A.R.T.O. together with the center. Sun. Meyerhold 2002
• "Philoctetes", the role of Odysseus - A.R.T.O. together with the center. Sun. Meyerhold 2004
• "Lilla Weneda", role of Druid - A.R.T.O. together with the center. Sun. Meyerhold 2004
• “School of Jesters” (second version) - A.R.T.O. together with the center. Sun. Meyerhold and the festival Passages, Nancy (France) 2005
• "Oedipus", the role of Oedipus - the center of them. Sun. Meyerhold, director A. Levinsky 2005
• “Mystery Buff (pure version)”, role of officer - A.R.T.O. together with the center. Sun. Meyerhold and the festival Passages, Nancy (France) 2007
• “Savva. Ignis sanat” role of Herod - A.R.T.O. 2009
• "[boh]". the role of Pozzo - A.R.T.O. 2010
• “The Cherry Orchard”, role of Petya Trofimov - La'Theater, director V. Dubrovitsky 2013

Excerpt characterizing Volkov, Ivan Nikolaevich

Arriving in Kyiv, Pierre called all the managers to the main office and explained to them his intentions and desires. He told them that measures would be immediately taken to completely free the peasants from serfdom, that until then the peasants should not be burdened with work, that women and children should not be sent to work, that the peasants should be given assistance, that punishments should be used exhortations, not corporal ones, that hospitals, shelters and schools should be established on every estate. Some managers (there were also semi-literate economists) listened in fear, assuming the meaning of the speech was that the young count was dissatisfied with their management and withholding money; others, after the first fear, found Pierre’s lisp and new, unheard words funny; Still others simply found pleasure in listening to the master speak; the fourth, the smartest, including the chief manager, understood from this speech how to deal with the master in order to achieve their goals. The general manager expressed great sympathy with Pierre's intentions; but he noticed that in addition to these transformations it was necessary to generally take care of matters that were in a bad state. Despite the enormous wealth of Count Bezukhy, since Pierre received it and received, as they said, 500 thousand an annual income, he felt much less rich than when he received his 10 thousand from the late count. In general terms, he had a vague sense of the next budget. About 80 thousand were paid to the Council for all estates; It cost about 30 thousand to maintain a house near Moscow, a Moscow house and princesses; about 15 thousand went into retirement, the same amount went to charitable institutions; 150 thousand were sent to the countess for living expenses; interest was paid for debts of about 70 thousand; the construction of the begun church cost about 10 thousand during these two years; the rest, about 100 thousand, was spent - he himself did not know how, and almost every year he was forced to borrow. In addition, every year the chief manager wrote either about fires, or about crop failures, or about the need to rebuild factories and factories. And so, the first task that presented itself to Pierre was the one for which he least of all had the ability and inclination - getting busy with business. Pierre worked with the chief manager every day. But he felt that his studies were not making any progress. He felt that his activities took place independently of the case, that they did not touch the case and did not force him to move. On the one hand, the chief manager presented matters in the worst possible light, showing Pierre the need to pay debts and undertake new work with the help of serfs, to which Pierre did not agree; on the other hand, Pierre demanded that the matter of liberation be started, to which the manager argued that it was necessary to first pay the debt of the Guardian Council, and therefore the impossibility of quick execution. The manager did not say that this was completely impossible; To achieve this goal, he proposed the sale of forests in the Kostroma province, the sale of grassroots lands and Crimean estates. But all these operations in the manager’s speeches were associated with such complexity of processes, lifting prohibitions, demands, permits, etc., that Pierre was at a loss and only told him: “Yes, yes, do that.” Pierre did not have that practical tenacity that would give him the opportunity to directly get down to business, and therefore he did not like him and only tried to pretend to the manager that he was busy with business. The manager tried to pretend to the count that he considered these activities very useful for the owner and shy for himself. There were acquaintances in the big city; strangers hastened to get acquainted and cordially welcomed the newly arrived rich man, the largest owner of the province. The temptations regarding Pierre's main weakness, the one that he admitted during his reception to the lodge, were also so strong that Pierre could not refrain from them. Again, whole days, weeks, months of Pierre’s life passed just as anxiously and busyly between evenings, dinners, breakfasts, balls, not giving him time to come to his senses, as in St. Petersburg. Instead of the new life that Pierre hoped to lead, he lived the same old life, only in a different environment. Of the three purposes of Freemasonry, Pierre was aware that he did not fulfill the one that prescribed every Freemason to be a model of moral life, and of the seven virtues, he completely lacked two in himself: good morals and love of death. He consoled himself with the fact that he was fulfilling another purpose - the correction of the human race and had other virtues, love for one's neighbor and especially generosity. In the spring of 1807, Pierre decided to go back to St. Petersburg. On the way back, he intended to go around all his estates and personally verify what was done from what was prescribed to them and in what situation the people were now, which God had entrusted to him, and which he sought to benefit. The chief manager, who considered all the ideas of the young count almost madness, a disadvantage for himself, for him, for the peasants, made concessions. Continuing to make the task of liberation seem impossible, he ordered the construction of large school buildings, hospitals and shelters on all estates; For the master's arrival, he prepared meetings everywhere, not pompously solemn ones, which, he knew, Pierre would not like, but just the kind of religious thanksgiving, with images and bread and salt, just the kind that, as he understood the master, should have an effect on the count and deceive him .

The most interesting

Shameful photos of drunk actresses (10 photos) (01/05/2018)

Actresses who received the Golden Raspberry Award for Worst Actress (02/13/2020)
Olga Volkova’s creative biography began with minor roles, then she began playing the main characters and very quickly became the best student in the group. Despite the fact that by the time she graduated from the studio, many theaters became interested in the talented young actress, she rejected their invitations and remained at the Youth Theater.

It was a time of happy changes not only in the career, but also in the personal life of Olga Volkova - she married cameraman Leonid Volkov.